최인훈 소설에 나타난 거울 모티프의 양상과 함의

• 영문명: The Aspect and Implication of Mirror Motif in Choi In-hun’s Novel
• 발행기관: 한국언어문학회
• 저자명: 김주언(Kim, Joo-eon)
• 간행물 정보: 『한국언어문학』韓國言語文學 第78輯, 285~305쪽, 전체 21쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2011.09.30

영문 초록

This paper looks into the phase of development about the mirror motif from Choi In-hun’s novel, “The Gray Man” and besides explores the ultimate implications of it. It is hardly consider all problems causing from the process of subject’s subjectivation shown in “The Gray Man”, may begin with the failure of dialectical unification between ego and real world(or between person and society). The hero of this novel has dominant personality which desires to have more difference than dialectical identity. The aspects of split subject can be understood in the context from denial of these identity. The hero is the being who reflects himself through mirror or window from beginning to end. He, a prospective writer, is not only a split subject but also an aesthetic. The mirror is the something that expands his world by splitting. It tears into a pieces. And it faces to fate to be broken by increasing inner conflicts in him. However this broken mirror would also reflect the portrait of literature. In other words, it can reflect the literature itself which is layed as the others of general discourse outside of ideology. The literature would be shown as an another one from the outside of literature through mirror motif. This paper concludes the literature showed like this could agreeable by desire of hero's difference. It is because finally, the aesthetic subject looks into mirror which reflects himself from the outside of strategies of containment of ideology.

목차

1. 서론: 변증법을 넘어서

2. 거울 보는 남자 독고준

3. 동일성의 균열을 비추는 파경(破鏡)

4. 결론: 거울 모티프의 전망

〈참고문헌〉

[Abstract]

키워드

비동일성 차이 문학의타자성 거울모티프 깨진거울 봉쇄전략으로서의 이데올로기 최인훈 지젝 non-identity difference the otherness of literature mirror motif broken mirror ideology as strategies of containment Choi In-hun Ž iž ek