신라 금관에 선행한 고구려 금관의 발전 양상과 금관의 주체

• 영문명: The Development and Main Agent of Goguryeo Golden Crowns, which preceded Silla Golden Crowns
• 발행기관: 백산학회
• 저자명: 朴仙姬(Park, Sun-Hee)
• 간행물 정보: 『백산학보』第90號, 95~157쪽, 전체 63쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2011.09.30

영문 초록

Goguryeo golden crowns were the beginning of Korean golden crowns. The reason of the change of Goguryeo Golden Crown style can be explained from the difference of the king’s ruling objective combined with the changing political and social situation that the Goguryeo people pursued. The King Sosurim era can be explained as a time of establishing a centralizing system following territorial expansion, strengthening the royal authority and making the foundations of southward expansion policy. This means that a golden crown that symbolizes the progenitor mythology to reconsolidate the sovereign power leading to the Goguryeo-centric national character and a stronger divinity of the royal authority. However at the Great King Gwanggeto era, a golden crown of Jeolpoong Style which looks like a common official hat, also has close relation of the policies at that time. At that time, Goguryeo ruled over the whole Korean Peninsula, Manchuria, and technically, Japanese regions and made them pay tributes as liege states which resulted in making a national order of the Gojosun Domain which includes the whole Korean Peninsula and Manchuria. Goguryeo, making a nation that carries on Gojosun as a successor was the national policy since the foundation of the country and was fulfilled at the Great King Gwanggeto era. Therefore, the usage of Jeolpoong Style for golden crown was justified because it was the style that several countries of Gojosun used commonly. The golden crown which was not only the royal crown was a symbol that strengthens the authority of the King of Goguryeo but also be a pretext to rule as the successor of Gojosun. The golden crown that shows a more developed style is the golden crown that was excavated from Gangseo-gun. This golden crown has 7 splendid flame patterns as erected decks around the circumference. Like this, after the transfer of the capital to Pyungyang, the introduction of flame pattern erected decks that symbolizes Haemosu means the change of the symbolic meaning and objectives of the royal authority. Goguryeo kept on war with surrounding countries until till their end. This means the transfer of their capital to Pyeongyang should have deep relations with the foreign policies and also with the revival of Haemosu. However the history of Goguryeo wars doesn’t seem to be due to make economic foundations through territorial expansion as general understandings. This is because when China was internally disordered, having war with them should be easier than with other countries of the Korean Peninsula. However when Goguryeo recovered the Yoseo area, they changed their point of war to the southern Korea Peninsula. This can only mean that the goal of Goguryeo by making war was not for territorial expansion but for recovering the territory of Gojosun and reviving their order. Thus, the fact that the golden crown of the Great King Gwanggeto era was made Jeolpoong Style, common in the Korean Peninsul and Manchuria at the time of Gojosun, means that Goguryeo wanted to show that they are the successor of Gojosun at least formally. This concept was introduced in the golden crown excavated from Gansung-li which is known to be made at King Jangsu era, and symbolized the the Dangun of Gojosun. the son of the sun, into flame patterns as erected decks. Like these examples, the golden crown style of Goguryeo has been developed with free will of moulding and decoration skills according to political and social changes. The golden crown style of Goguryeo, including erected decks, Dalgae decks, patterns, sofisticated workmanship for metal, has went through a unique process and was descended right to Silla golden crowns, later resulting in the important cultural characteristic of the Korean race. Therefore, the common view that Korean golden crowns are from Siberian shamans and other cultural traditions of Eurasian races should be corrected.

목차

Ⅰ. 신라 금관에 선행한 고구려 금관 연대비정

Ⅱ. 고구려 금속관모의 양식변천과 금관의 출현

Ⅲ. 傳 강서군 보림면 간성리 출토 금관의 주체

Ⅳ. 금관양식에 보이는 건국신화와 정체성 해석

Ⅴ. 불꽃무늬 태양금관의 주체와 장수왕의 이념

부록

參考文獻

[Abstract]

키워드

고구려금관 강서군 출토금관 불꽃무늬 태양금관 건국신화 장수왕 Goguryeo Golden Crowns the golden crown that was excavated from Gangseo-gun the golden crown has splendid flame patterns as erected decks around the circumference the progenitor mythology King Jangsu