학술논문
“포스트페미니즘” 시대의 페미니즘 비평 - 보편성과 여성, 그리고 문학
이용수 1887
- 영문명
- Feminist Criticism in the Age of "Postfeminism": Universality, Women and Literature
- 발행기관
- 한국비평이론학회
- 저자명
- 정소영(Soyoung Jeong)
- 간행물 정보
- 『비평과 이론』제12권 2호, 37~55쪽, 전체 19쪽
- 주제분류
- 어문학 > 영어와문학
- 파일형태
- 발행일자
- 2007.12.30
5,080원
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이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
The term "postfeminism" addresses the backlash against feminism which has gathered pace over the past 20 years, and the re-formation of the main issues of feminism from the oppression of women and fights for universal rights to the gender studies and sexuality as well. It is related with the intervention of identity politics, poststructuralism and postcolonialism, which have challenged the idea of "common oppression" of the Woman arguing that the Woman actually stands for the white middle class heterosexual women. For all the proliferation of the differences in terms of race, class, and sexual orientation among feminist discourses, this new paradigm in feminism stops short of rethinking the complicated relationship women and feminism have had with the universality and institutionalization. For what should be revised is not only the notion of "common" oppressive situation and "common" goal, but the very assumption that feminist discourses or any radical perspectives may derive their own justification from "oppression". Virginia Woolf"s Three Guineas helps to reevaluate the feminist objectives and strategies so far and suggests the frame of thinking we still need to grapple with universality. It shows that universality is not simply the question of inclusion and exclusion because there is no escaping the frame of universality even when one is excluded from the universal norm. The deconstruction of universality, therefore, comes only with understanding the way we are inescapably involved with the universality and the law. Woolf emphasizes the personal as the occasion of subverting the universal and associates it with literature. While literature, the institutionless institution as Derrida puts it, should submit to the law to establish itself as such, it is an absolutely singular event which can exercise the legislative power to sidestep existing laws. Likewise sexual difference as subverting universality can be thought of as such a singular event that happens in the gap between the singularity and its repetition or generalization, that is, through iterability.
목차
1. ‘탈’ 혹은 답보상태
2. 페미니즘의 성공, 혹은 실패
3. 보편성과 여성적 차이, 그리고 문학
인용문헌
Abstract
2. 페미니즘의 성공, 혹은 실패
3. 보편성과 여성적 차이, 그리고 문학
인용문헌
Abstract
키워드
해당간행물 수록 논문
- The Emergence of a Novelistic Culture - Modernity and the Perverse Topography of Narrative Desire
- 포스트휴먼 시대에 재배치되는 성과 몸 - 다너 헤러웨이의 공의존적 복수주체
- Female Circumcision - Another Case of Monolithizing the Subaltern?
- Literary Works and Theories As Interweaving
- Bakhtin and Derrida, the Possibility of Dialogue - Towards an Aesthetic of the Eye, Feeling, and Fluid Writing
- Historicized Renaissance and Critical Models - Towards a Methodology of Negotiation
- “포스트페미니즘” 시대의 페미니즘 비평 - 보편성과 여성, 그리고 문학
- 데리다의 은유론 - 명사중심주의와 태양중심주의의 해체
- 거울과 창문 - 벨라스케스의 『궁정의 시녀들』에 대한 푸코와 라캉의 주체와 재현 이론
- 이론의 탈정치화와 문학연구의 가능성
- 베케트와 데리다 - 잃어버린 침묵을 찾아서
- 아도르노와 베케트 - 『엔드게임』의 미메시스적 계기에 대하여
- 투고 안내 외
참고문헌
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