연극〈暗戀桃花源〉을 통해 본 《桃花源記》 패러디 양상

• 영문명: The Aspects of Parady of 《T’aohuayanji》 in 《Hidden love and T’aohuayan》
• 발행기관: 대한중국학회
• 저자명: 박노종(Park Roo-Jong)
• 간행물 정보: 『중국학(구중국어문론집)』中國學 第27輯, 401~428쪽, 전체 28쪽
• 주제분류: 어문학 > 중국어와문학
• 파일형태: PDF
• 발행일자: 2006.12.01

영문 초록

  《Hidden love and T"aohuayan》 is a theatrical performance, it is a parody of the Chinese classical piece 《T"aohuayanji》. This work is considered to be the most representative Contemporary play of Lai Sheng Chun(賴聲川) who is a well -known Taiwanese director.
  Through this work, we can see that a parody of the Chinese classical pieces can be used to practice the technique of creating contemp. art.
  Reinterpretation about classical pieces can ensure the vitality of recreating only when an abjective condition is satisfied, that it is akind of freedom, being able to use the modern thinking faculties and a material foundation on the whole.
  Through a critical analyzation of Wulingt"aoyuan(The peach blossom land in Wuling; 武陵桃源) and 《T"aohuayanji; 桃花源記》 (《A record of the peach blossom land》 which are regarded as Oriental Utopia, I tried to look into anti-intellect influenced by the Chinese traditional thinking.

목차

열림(開場): 포스트, 팜플렛 그리고 사인회
1. 序論
2. 本論
3. 結論
[參考文獻]
〈Abstract〉

키워드

the peach blossom land parody Contemporary play Oriental Utopia