학술논문
해가 배경설화의 기자의례적 성격
이용수 287
- 영문명
- A Study of a Praying for a Baby Charateristic in the Background Narrative of Hae-ga
- 발행기관
- 한국언어문학회
- 저자명
- 현승환(Hyun Seunghwan)
- 간행물 정보
- 『한국언어문학』韓國言語文學 第59輯, 319~340쪽, 전체 22쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2006.12.01
5,440원
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국문 초록
영문 초록
Many people communicate with the gods through shamanistic rites. A shaman sings a myth, and adherents believe that it really happened. However, the background story for a myth is only a theatrical space, not a reality. The shaman reconstructs the activities and conflicts of the gods on a real life stage as depicted in the myths. In other words, this rite conducted by a shaman induces people to believe in the myth.
From this point of view, the background story of Hae-ga is tantamount to a description of a rite where many couples prayed for children. Sooro, the wife of Soonjung-gong, is abducted by a sea dragon in an internal story. She is saved by her husband Soonjung-gong who sings the Hae-ga in an external story. The two stories are a part of the process of a rite of praying for a baby which is facilitated by an elderly person.
A couple plays the roles of Sooro and Soonjung-gong, the mythical characters, in a shamanistic rite with the help of a shaman who help carry out this rite of passage. The shaman has Sooro go out into the waters and her husband sings the Hae-ga. This is a reconstruction of an episode where the characters create in a timeless, immemorial setting, not in the performance place. The story in a setting of the myth is an internal one and the story in the performance place is an external one. Both stories stand for the cycle of life and death, a process in which an infertile woman becomes reproductive. Similar shamanistic rituals held in Jeju are the Younggamnori and Buldomaji rites.
Similarly, the Choi Chi-won story follows a similar pattern. In his birth story, a pig kidnaps his mother, and his father rescues her. Later she gives birth to him. The background stories of Hae-ga and Choi Chi-wons birthstory share the plot where a woman gets pregnant after she is rescued by her husband. Given the structure, it is foreseeable that Sooro will also have a baby in the future. However, the sought-after baby is a boy, not a girl. While the Hae-ga, influenced by the Goojiga, must have been sung for numerous couples who have aspired to have a boy, the myths of Jeju Island about the gods who governed childbearing do not refer to the gender of the baby.
From this point of view, the background story of Hae-ga is tantamount to a description of a rite where many couples prayed for children. Sooro, the wife of Soonjung-gong, is abducted by a sea dragon in an internal story. She is saved by her husband Soonjung-gong who sings the Hae-ga in an external story. The two stories are a part of the process of a rite of praying for a baby which is facilitated by an elderly person.
A couple plays the roles of Sooro and Soonjung-gong, the mythical characters, in a shamanistic rite with the help of a shaman who help carry out this rite of passage. The shaman has Sooro go out into the waters and her husband sings the Hae-ga. This is a reconstruction of an episode where the characters create in a timeless, immemorial setting, not in the performance place. The story in a setting of the myth is an internal one and the story in the performance place is an external one. Both stories stand for the cycle of life and death, a process in which an infertile woman becomes reproductive. Similar shamanistic rituals held in Jeju are the Younggamnori and Buldomaji rites.
Similarly, the Choi Chi-won story follows a similar pattern. In his birth story, a pig kidnaps his mother, and his father rescues her. Later she gives birth to him. The background stories of Hae-ga and Choi Chi-wons birthstory share the plot where a woman gets pregnant after she is rescued by her husband. Given the structure, it is foreseeable that Sooro will also have a baby in the future. However, the sought-after baby is a boy, not a girl. While the Hae-ga, influenced by the Goojiga, must have been sung for numerous couples who have aspired to have a boy, the myths of Jeju Island about the gods who governed childbearing do not refer to the gender of the baby.
목차
1. 서론
2. 순정공과 수로부인의 정체
3. 배경설화의 기자의례적 성격
4. 결론
〈참고문헌〉
[Abstract]
2. 순정공과 수로부인의 정체
3. 배경설화의 기자의례적 성격
4. 결론
〈참고문헌〉
[Abstract]
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