〈바리데기〉 무가의 신화비평적 연구 - 자기실현의 과정을 중심으로

• 영문명: A Study of Mythical Criticism on the Mudang Song of Baridegi
• 발행기관: 한국언어문학회
• 저자명: 김영민(Kim Yougmin)
• 간행물 정보: 『한국언어문학』韓國言語文學 第58輯, 179~202쪽, 전체 24쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2006.09.01

영문 초록

  An Approach to mythical criticism on the Mudang song of Baridegi sung in order to lead the spirit of a dead person to the world beyond in Saryeongjeui is as follows.
  Considering the dream of forthcoming conception, her birth and her process to be a hermit, we found that Baridegi began to search self-investigation as a woman who has the lineage of pure blood and a heroic disposition. Her undergoing different trials after birth, and her wandering separated from realities can be showed as the course of her self-investigation to seek after intrinsical spiritual self as a potential whole. So her hard ordeal and suffering experienced on the way to find Yagsu(medicinal water) can be explained as the course of the emancipation of self transformed into a great figure to gain superman ability and resurrection by meeting a hermit in the surrealistic space. After marriage, she at last brought her parents into life with yagsu and took office as a goddess of Mudang. It is also accounted for the course of self-fulfillment through getting over a barrier, achieving her aim and being in accord with others. Her way to get yagsu is symbolized as a long tunnel of death. Her long journey to death made her realize that she could come to the existential self-consciousness after doing away with herself. So we can conclude that Baridegi discovered afresh herself as a result of the experience of hard trials and suffering and at last got the perfection of self because of choosing death.

목차

Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 구성원리
Ⅳ. 결론
〈참고문헌〉
[Abstract]
저자소개

키워드

〈바리데기〉무가 신화비평 통과의례 자기실현 동일성 상징 분리 전이 자아 자기 Shaman song Mythical Criticism Rites of passage Self-realization identity symbol separation transition ego self