전시 총동원 체제기의 역사극 고찰 - 송영과 함세덕의 공연 희곡을 중심으로 -

• 영문명: The Examination of a Historical Play in the War Footing Period of the General Mobilization - Centering on a Play Performed by Young Song and Se-deok Hahm -
• 발행기관: 어문연구학회
• 저자명: 윤석진(Suk-jin Yun)
• 간행물 정보: 『어문연구』어문연구 제46집, 355~385쪽, 전체 31쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2004.12.01

영문 초록

This thesis analyzes the historical plays of Young Song and Se-deok Hahm that were performed during the war footing period of general mobilization (1937~1945). A historical play in this period was revealed to be a tool to rationalize the colonial rule of the Japanese Empire rather than contribute to inspiring desirable national consciousness. Especially, the historical plays of Song and Hahm were acted as a memorial service internalizing so that the colonial people accepted the realities of a colony naturally and distorted the history of Korea. Song stimulated a colonial people's feeling of defeat by decrying respected historial figures of Korea such as Byeong-yeon Kim and Saimdang Shin, and rationalized the colonial ruling strategy of the Japanese Empire as the result. Hahm also obstructed a critical reflection of pro-Japanese logic embedded in a performance that distorted the historical event of ‘the fall of Baekje Dynasty’ and the story of ‘the Divine Bell (Emille Bell) of Bongdeok-sa (Temple)’ in a romantic and lyrical way. In conclusion, historical plays in the war footing period of the general mobilization was popular plays that were used as merely a tool to propagate the colonial strategy of the Japanese Empire and to instigate the draft rather than its own function of inspiring historical awareness. Popularity of a historical play in this period should be examined much more closely so that historical plays were mobilized in order for the colonial people to internalize the colonial strategy of the Japanese Empire. The reason of this is that the popularity in the war footing period of the general mobilization can be a frame of reference to determine whether or not they were pro-Japanese in the field of culture and arts.

목차

1. 들어가는 말

2. 과거와 현재의 대화, '역사극'의 대중성

3. 역사적 인물의 극화(劇化), 송영의 공연희곡

4. 역사적 사건과 설화의 극화(劇化), 함세덕의 공연희곡

5. 나가는 말

□ 참고문헌