정판교鄭板橋 난·죽·석 제화題畫 작품의 판화적版畫的 특징 연구

• 영문명: A study on the printmaking characteristics of Zheng Banqiao`s Painting Poem(Orchid, Bamboo and Stone )
• 발행기관: 한국중국문화학회
• 저자명: 김영
• 간행물 정보: 『중국학논총』제81호, 139~154쪽, 전체 16쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2024.03.31

국문 초록

清代书画家郑板桥在扬州地区留下了很多以兰、竹、石为题材创作的国画作品和题画诗。这些国画作品和题画诗在对应作品的内容和思想性的关联上，呈现出“同而不似”的特征。通过对郑板桥国画和相关题画诗作品关联性的分析，我们发现郑板桥以兰、竹、石为题材的画作与题画诗之间，之所以呈现出这种特征，主要可以归纳为四种原因：首先，是兰、竹、石在创作中的典型与形变的处理。其次，是兰、竹、石三者共同入画的布局设计需要。再次，是落款与诗文变换位置的考虑。最后，是一题多诗和一诗多画的诗画创作形式的选择。一言以蔽之，可以认为这就是郑板桥兰、竹、石版画创作的艺术特质所导致的。 郑板桥这种“同而不似”的版画特征出于一种非常有创意的书画艺术手法，目的是为了以兰、竹、石为题材的诗画作品能够确保满足大众化和商业化的审美需求。这种新型的艺术手法的创意来源于郑板桥自身的人本主义思想和雅俗共赏的大众文艺观，其目的为了大量创作并低价贩卖。大众化、商业化的兰、竹、石画作和与之对应的“同而不似”的题画诗，践行了郑板桥面向大众的人本主义思想与艺术精神。在这一点上，可以说郑板桥凭借自己超越时代的人本主义精神和艺术创作思想，极大推动了中国近代市民社会的到来。

영문 초록

Zheng Banqiao, a painter in Qing Dynasty, left many traditional Chinese paintings and poems on the theme of orchid, bamboo and stone in Yangzhou area. These traditional Chinese paintings and painting poems show the characteristics of "same but not similarity.” Through the analysis of the relationship between Zheng Banqiao's traditional Chinese painting and related painting poems, we find that there are four main reasons why Zheng Banqiao's paintings with orchid, bamboo and stone as the theme show this characteristic: First, it is the typical and deformed treatment of orchid, bamboo and stone. Second, it is the Combined painting of orchid, bamboo and stone. Third, it is the Sign Off and the Transposition of the poems. Finally, it is the One Subject with many poems and One poem with many paintings . In a word, we can think that this is the artistic characteristics of Zheng Banqiao orchid, bamboo and stone printmaking. Zheng Banqiao, which is "same but not similarity ", is characterized by a very creative artistic technique of calligraphy and painting, the purpose of which is to ensure that the poems and paintings with the theme of orchid, bamboo and stone can meet the aesthetic needs of popularization and commercialization. The creativity of this new artistic technique comes from Zheng Banqiao's own humanistic thought and the popular view of literature and art, the purpose of which is to make a large number of paintings and sell them at low prices. The popular and commercial orchid, bamboo and stone paintings and the corresponding "same but not similar" painting poems practice Zheng Banqiao's humanistic thought and artistic spirit facing the masses. In this regard, it can be said that Zheng Banqiao, by virtue of his humanistic spirit and artistic creation thought beyond the times, greatly promoted the arrival of modern Chinese civil society.

목차

Ⅰ. 들어가는 말

Ⅱ. 동이불사同而不似의 판화적 수법

1) 난·죽·석의 전형典型과 변형變形

2) 난·죽·석의 합화合畵

3) 낙관落款과 시문詩文의 변치變置

4) 일제다화一題多詩와 일시다화一詩多畵

Ⅲ. 맺는 말

키워드

정판교 제화시 난 죽 석 무란 청수죽 반견석 판화적 대중성 상업성 인본주의 아속관 예술관 zheng ban qiao engraving orchid bamboo rock popularity commercial trait humanism artistic vieupoints 鄭板橋 題畫詩 蘭 竹 石 茂蘭 淸瘦竹 盤堅石 同而不似 版畫的 大衆性 商業性 人本主義 雅俗觀 藝術觀