작품에 있어서 개작(改作)에 관한 고찰

• 영문명: A Study on Art-About-Art Theme
• 발행기관: 한국조형교육학회
• 저자명: 이광미
• 간행물 정보: 『조형교육』제17호, 37~57쪽, 전체 21쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2001.01.01

영문 초록

Throughout art history artists have been borrowing from other art, they are interested in various ways and on many levels, in the materials and techniques of art and the styles and major figures of the history of art. The content or style, or both, of earlier works of art has been integrated into new works that comment, critically or satirically, on the art that provided the point of departure. The art-about-art theme seems to be a pervasive ingredient of much of recent art. A number of artists first explored this area, and subsequently concentrated on this theme. A great many artists have devoted their entire careers to the art-about-art subject, or made it a focal concern, The works reproduced here were divided into three categories : About the Artist, About Old Masters, About Modern Masters. The reasons that artists, borrow from other art are multiple and varied. They interest in art reproduction and photographic reproduction process, and often display impudent humor, satire, and parady. This new style relates to many artists’ current concern with technology, process, transformation, and to popular media and mass-audience interests. Quite often the artist emphasizes that it is the reproduction that he is re-creating, rather than, as in past art-about-art, the original work that served as the subject.