초연결 시대의 초자연적 교감과 초연결성의 윤리

• 영문명: Dead Man’s Cell Phone: Supernatural Interactions and the Ethics of Hyperconnectivity
• 발행기관: 한국영미어문학회
• 저자명: 홍은숙
• 간행물 정보: 『영미어문학』제149호, 61~79쪽, 전체 19쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2023.06.30

영문 초록

This paper focuses on the process of recovering supernatural interactions for all the characters in Dead Man’s Cell Phone. Sarah Ruhl is recognized as a playwright and thinker who expands cultural influence beyond the theatre through a conscious confrontation with the contemporary era. Dead Man's Cell Phones represents a new dimension of dramatic action that generates ‘freedom of hyperconnectivity,’ ‘hyper-connected survival,’ and ‘spiritual networks’ that humanity has neglected due to the temptation of materialism and technological advances. The play revolves around the dead man Gordon and his cell phone, exploring the human ontology that needs to be filled with meaning in the context of change and making connections among humans as well as humans and non-human others. Organ trading in Dead Man's Cell Phone is a dramatic motif that first appeared in English dramas. In this play, organ trading is a dramatic representation of the ethics of hyperconnectivity and raises ethical questions about the consequences of hyperconnectivity. This play demonstrates that drama is a platform for the transition of human life in restoring primitive connectivity in the hyper-connected era.

목차

1. 들어가며

2. 초연결시대의 인간존재론

3. 초연결성의 윤리

4. 나오며

인용문헌

키워드

초자연적 교감 초연결성의 윤리 초연결 생존 초연결성의 자유 『죽은 남자의 휴대폰』 Dead Man’s Cell Phone freedom of hyperconnectivity hyper-connected survival supernatural interactions the ethics of hyperconnectivity