쇤베르크의 반음계주의

• 영문명: Schoenberg's Chromaticism as Seen in His Lied, Schenk mir deinen goldenen Kamm
• 발행기관: 한국서양음악학회
• 저자명: 송무경
• 간행물 정보: 『서양음악학』제12권 제3호, 215~246쪽, 전체 32쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.09.30

영문 초록

This paper deals with chromaticism and dissonance as seen in Arnold Schoenberg's early Lied, Schenk mir deinen goldenen Kamm. By espousing Edward T. Cone's idea of three dimensions consisting of harmonic language in tonal music, chordal vocabulary, succession, and progression, the paper distinguishes a radically chromatic idiom from a mild chromaticism that fits into traditional harmonic norms in the 18th to early 19th century. The former is originated from a discord between the three dimensions, whereas the latter marks an accord of the three. I have begun by summing up Schoenberg's own discussions of harmony as seen in his treatises Theory of Harmony and Structural Functions of Music for a logical clarification of his tonal idiom and then critically examined theoretical assumptions for Schenkerian background of the piece to suggest ways for modification. The opening passage shows a disagreement between chordal vocabulary, succession, and syntactical logics in stereotypical tonal idiom, while the second section features a harmony among the three dimensions. Exotic sound by whole-tone sonority proves to be adopted in traditional contexts of the tonal music. The rationales latent in harmony and disharmony among the dimensions have been cautiously considered in relation to poetic imagery of the texts.

목차

제1장 들어가면서

제2장 쇤베르크의 화성어법

제3장 분석방법론으로서 쉔커식 분석이론

제4장 쇤베르크 가곡의 분석

제5장 나가면서

참고문헌

키워드

반음계주의 쇤베르크 화성학 대체 변형 화음연결 화성구문론 불협화음의 해방 쉔커식 분석이론 쇤베르크의 가곡 “내게 그대의 황금 빗을 선물해주오” chromaticism Arnold Schoenberg Theory of Harmony substitutes transformation harmonic succession harmonic syntax emancipation of dissonance Schenkerian theory Schoenberg's Lied Schenk mir deinen goldenen Kamm