오페라《루쿨루스 판결》(Die Verurteilung des Lukullus)을 통해 본 초기 동독 음악과 정치

• 영문명: Music and Politics: On the Basis of the Opera Die Verurteilung des Lukullus
• 발행기관: 한국서양음악학회
• 저자명: 우혜언
• 간행물 정보: 『서양음악학』제12권 제3호, 57~83쪽, 전체 27쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.09.30

영문 초록

This study explores the curial politics of culture and music in the early German Democratic Republic as well as the conflicts between politics and music triggered by the opera Lukullus. Die Verurteilung des Lukullus of Paul Dessau and Bertolt Brecht became an issue, and its musical, aesthetical, and political aspects were debated in East Germany. Dessau’s music was considered as formalistic even prior to its première and endured cultural-political attacks from German officials. The formalist music was regarded as antithesis of Social realist music in the Soviet block, because formalism did not include classical and traditional musical elements and popularity. Lukullus-debate exemplified the unavoidable relationship between cultural-political context in the East German and its music.

목차

1. 들어가는 말

2. 초기 동독의 정치적, 음악적 배경

3. 동독 형식주의 논쟁의 배경

4. 오페라 《루쿨루스 판결》

5. 나가는 말

참고문헌

키워드

파울 데사우 베르톨트 브레히트 형식주의 루쿨루스 판결 동독 음악 음악과 정치 Paul Dessau | Bertolt Brecht | formalism| Die Verurteilung des Lukullus| music and politics