한국에서의 음악학 담론과 제도

• 영문명: Discourse and Institutionalization: The Micropoltics of Korean Musical Scholarship
• 발행기관: 한국서양음악학회
• 저자명: 김성혜
• 간행물 정보: 『서양음악학』제12권 제3호, 85~105쪽, 전체 21쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.09.30

영문 초록

My study is a critical examination of the historiography of Korean musical scholarship and a more comprehensive view of Korean music and history. The main goal of this study is to elaborate a new form of rhetoric and strategy for both historical and ethnographic studies of Korean music. By exploring the various attempts of earlier scholars to establish indigenous musical scholarship, my study details how musical scholarship can symbolically represent the core of historical tension and amnesia which has resulted in conflict between indigenous vs. foreign, tradition vs. modernity, and past vs. present in modern Korean society. Following the spirit of Michel Foucault’s dialogics and micropolitics, my study explores the following theme: why and how academic discourses have played an ambiguous role in encouraging, and at the same time discouraging monolithic and canonized language use and scholarly convention. Furthermore, my observation on discourse reveals the interaction produced between power and resistance in the larger process of institutionalization and the concomitant processes of de-institutionalization.

목차

1. 들어가면서: 서구 음악학의 등장과 ‘한국음악’의 정체성

2. ‘한국 음악학’: 자생적 모형의 음악학 담론의 형성

3. 한국 음악학 담론의 제도화(institutionalization)

4. 에필로그: 1980년대와 21세기 한국 음악학의 같음과 다름

참고문헌

키워드

한국 음악학 한국 근대 음악사 음악학 정체성 담론 헤게모니 제도권 미시정치성 Korean Musical Scholarship modern Korean music history musicology identity discourse hegemony institutionalization micopolitics