베토벤 음악의 당대 출판, 유포, 수용

• 영문명: On the Contemporary Publishing, Dissemination and Reception of Beethoven's Music
• 발행기관: 한국서양음악학회
• 저자명: 이경희
• 간행물 정보: 『서양음악학』제12권 제3호, 11~34쪽, 전체 24쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.09.30

영문 초록

The Present study focuses on the publishing, dissemination, and reception of Beethoven's music during his lifetime and after his death. The common and different aspects among Beethoven, Mozart, and Haydn in these three fields were investigated. Since the active working periods of the three composers were different within the range of 1770-1810's, the practices of publishing and dissemination changed. Since the music market was rapidly growing, therelationship between the composer, publisher, and the public was also changing. As a result, the process of reception of Beethoven's music was quite different from that of the previous time. This paper especially put focus on the early phase(1792-1803) of Beethoven in Vienna. The process of construction as a new master composer in the musical world of Vienna was also discussed. In addition, the role of supporting groups for Beethoven among aristocratic salons wasinvestigated. The changes in musical taste and ideology were also illuminated. Furthermore, the roles of published edition and reviews of music journals such as Allgemeine Musikalische Zeitung, Berliner Allgemeine Musikalische Zeitung, Wiener Allgemeine Musikalische Zeitung, and Caeciliain the reception of Beethoven's music were discussed.

목차

들어가는 말

1. 출판

2. 유포

3. 수용

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참고문헌

키워드

베토벤 출판 유포 수용 비인 귀족 살롱 음악잡지 Beethoven Publishing Dissemination Reception Vienna Aristocratic Salon Music Periodicals