존 케이지 음악에 있어서 주역(周易)

• 영문명: I-Ching in John Cage's Music
• 발행기관: 한국서양음악학회
• 저자명: 김경순
• 간행물 정보: 『서양음악학』제12권 제2호, 185~222쪽, 전체 38쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.05.30

영문 초록

For better understanding of John Cage, we have tried to approach his music with the alternative perspective, away form the conventional western way. We found that there were three philosophical sources which constituted the basis of his music. At first, Cage got inspired from the Indian philosophy and Buddhism that “Art is the imitation of nature in her manner of operation”. And then from the Zen practice, he came to realize that the music should be freed from the personal intentions and memories of the composer so that it's proper sounds be produced within the “totality of possibilities”. At last he discovered that the I-Ching was the perfect instrument for making the music which he idealized in its divine nature. He perfectly comprehended the principles of the chance operation of I-Ching and applied them to the composition of music; that is, starting from the elements of Yin and Yang representing sounds and silence, to the sophisticated manifestation of hexagram in the form of structural sound events.

목차

서론

Ⅰ. 케이지의 동양적 지혜

Ⅱ.《주역음악》이전

Ⅲ.《주역음악》

Ⅳ.《주역음악》이후

결론

참고문헌

키워드

주역 음양 64괘 리듬구조 소리범주 도표기법 주역음악 <4분 33 초>(<4'33”>) 쇤베르크 사티 I-Ching Ying & Yang 64 hexagram rhythmic structure sound gamut chart technic| <4분 33초>(<4'33”>) A. Schoenberg E.Satie