북독일의‘전고전주의’

• 영문명: 'Pre-Classicism' in Northern Germany: the Court Music of Frederick II and Keyboard Music of Carl Philipp Emanuel Bach
• 발행기관: 한국서양음악학회
• 저자명: 나주리
• 간행물 정보: 『서양음악학』제12권 제2호, 125~147쪽, 전체 23쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.05.30

영문 초록

This paper examines the music in the court of Frederick II, which was the music center of northern Germany during the Pre-classical period, and then sheds light on 'Berlin style' of Carl Philipp Emanuel Bach through the analyses of his Preußische Sonaten. While serving as a court musician under Frederick II, who was a follower of the Italian music style, Bach stood against the taste of his employer early on and constructed the framework of the Sonata form as well as the new style which brings out expressionism, sensibility, and subjective feelings. This 'Empfindsamer Stil' can be characterized by the fusion of various and contradicted styles, independent and unique themes, bold use of harmony, contrasts in dynamics, dramatic appearance of fermatas, and unexpected pauses and changes in tempo. This paper delivers and interprets the concrete examples of these characteristics in his Preußische Sonaten.

목차

1. 들어가는 말

2. 프리드리히 2세의 궁정 음악

3. ‘베를린의 바흐’，칼 필립 엠마누엘

4. 칼 필립 엠마누엘 바흐의 클라비어 소나타:《프로이센 소 나타 Wq. 48》

5. 나가는 말

참고문헌

키워드

칼 필립 엠마누엘 바흐 프리드리히 2세 프로이센 소나타 감정양식 C. P. E. Bach Friedrich II Prussian Sonatas Empfindsamer Stil