모차르트의 오페라 부파《피가로의 결혼》에 나타난 희극성

• 영문명: The Comicality in Mozart's Opera Buffa Le Nozze di Figaro: Focusing on the Contents in the Aspect of Social Criticism
• 발행기관: 한국서양음악학회
• 저자명: 김미영
• 간행물 정보: 『서양음악학』제12권 제2호, 57~84쪽, 전체 28쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.05.30

영문 초록

This paper examines the comicality in Mozart's Le Nozze di Figaro with focus on the contents in the aspect of social criticism, being based on the carnival theory of laughter, which claims that laughter and comedy express the desire to be free from the limited order of the existing system and the catharsis phenomena of suppression. The denial for the limited order of the existing system is represented in the standpoint of social class, men's and women's social positions, and moreover the mental phase of reason and sense. Eroticism, which has been expelled from the wrong system of order and false consciousness, is expressed in positive laughter. Mozart's satiric and symbolic music is beyond the limit of linguistic text and its boundary, fortifying and degrading the meaning of the words.

목차

들어가는 글

1. 작품의 성립배경

2. 작품에 나타난 극적 음악의 희극성

나가는 글

참고문헌

키워드

피가로의 결혼 모차르트 보마르쉐 다 폰테 오페라 부파/웃음 희극성 카니발 이론 희극 Le Nozze di Figaro Wolfgang Amadeus Mozart Pierre Augustin Caron de Beaumarchais Lorenzo Da Ponte opera buffa/Laughing the comicality carnival theory comedy