19세기 확장된 반음계주의 음악의 분석모형

• 영문명: Analytic Models for Extremely Chromatic Music in the Nineteenth Century
• 발행기관: 한국서양음악학회
• 저자명: 송무경
• 간행물 정보: 『서양음악학』제12권 제2호, 149~184쪽, 전체 36쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2009.05.30

영문 초록

This paper deals with a tonal phenomenon, “directional tonality,” as witnessed occasionally in chromatic music of the nineteenth century. The paper begins by tracing a definition of the directional tonality and diverse compositional techniques related to manipulations of the tonality through the literature review. I have then examined theoretical assumptions for Schenkerian analytic models to be applied to musical works taking the directional tonality as a structural basis. After proposing analytic premises for the application of the Schenkerian analysis to the directional tonality work, I have presented three analytic essays based on Gustave Mahler's Lieder, Erinnerung, Der Tamboursg'sell, and Ich hab' ein glühend Messer, all of which pose such a structural trait. The Erinnerung that features a tonal shift to the major second above accomplishes the directional tonality by transforming a dominant 9th chord to IV9, whereas the Der Tamboursg'sell takes a series of transformations, in which a subdominant changes into a tonic and in turn to a dominant. The last excerpt, which marks a key relationship of a minor second apart, involves the most radical transformation process that changes the in the opening key into the forming a structural cadence in the second key.

목차

제1장 들어가면서

제2장 동적인 조성

제3장 분석 방법론으로서 쉔커식 중경층의 수정 및 절층

제4장 세 곡의 분석

제5장 나가면서

참고문헌

키워드

조성 동적인 조성 단일조성 이중조성 쉔커식 분석이론 말러의 가곡 “추억” 말러의 가곡 “소년 고수” 말러의 가곡 “분노의 칼이 내 가슴에 꽂혔네” tonality directional tonality monotonality double tonality Schenkerian theory Mahler' Lied Erinnerung Mahler' Lied Der Tamboursg'sell Mahler' Lied Ich hab' ein glühend Messer