한국 칠화(漆畵)의 전통 형성과 특징 연구

• 영문명: A Study of Tradition Formation and Characteristic of Korean Ottchil Painting
• 발행기관: 한국가구학회
• 저자명: 임승택(Seung Taek Lim)
• 간행물 정보: 『한국가구학회지』제26권 제1호, 31~50쪽, 전체 20쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2015.01.30

영문 초록

This study analyzes traditional form and figurative characteristics of Ottchil Painting based on objective relics about long lasted Ottchil Painting and related literature as our coun-try’s national culture. Study range is among Lolang (Nangnang), Three Kingdom Dynastys (Koguryo, Baekje and Shilla), Unified Shilla Dynasty, Koryo Dynasty, Joseon Dynasty, Modern times and Contemporary. The method of study is after theoretical consideration of Ottchil Painting through related literature, adduced figurative characteristics of related Ottchil Painting by time period with case-study methods such as excavated relics and historical basis. Ottchil Painting consists of color, which is derived from Ottchil mixed with a mineral pigment of pow-der and various patterns and drawings using different techniques. The methods of Ottchil Painting are Myohoi, Yanggam, Gakhoik, Younma, Balsoa and Toiso. The techniques of Ottchil Painting of our country is established by splendid and unique for about 1,600 years re-volved around Myochilchaehoi technique and Myoyuchaehoi technique started at Unified Shill a Daynasty and through Koryo, Joseon Dynasty, Modern times and Contemporary. Also, such this Ottchil Painting form of red in the inside and black in the outside, which is wood based, the rest is bamboo sheath and framework from Geonchil based and the figurative characteristics presented the traditional Patterns of Lotus, Phoenix, arabesque, bird, animal, cloud, marble and letter with red Ottchil, yellow Ottchil, or five colors Ottchil.

목차

Ⅰ. 서론

Ⅱ. 칠화의 이론적 고찰

Ⅲ. 시대별 칠화의 분석

Ⅳ. 결론

사사

참고문헌

키워드

Ottchil Painting Myochilchaehoi technique Myoyuchaehoi technique five colors Ottchil