나전장 김봉룡 칠화 작품의 조형 분석

• 영문명: A Study on Modeling Analysis to Ottchil Painting Made by Najeon Master Bong-Ryong Kim
• 발행기관: 한국가구학회
• 저자명: 임승택(Seung Taek Lim)
• 간행물 정보: 『한국가구학회지』제27권 제3호, 185~196쪽, 전체 12쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2016.07.30

영문 초록

This study is about watching the changes in Modern and Contemporary ages, through Traditional Ottchil Painting analyzed the formative characteristics presented on 23 pieces of Najeon Master Bong-Ryong Kim. He restored and reproduced the Ottchil Painting Technique by making Najeon ware (lacquer ware inlaid with the mother-of- pearl) on the Korean Modern and Contemporary period. The formative characteristics of his Ottchil Painting Technique are as follows. He used a lot of the Myochilchaehoi Technique as the technique of expression, along with the Najeon Yanggam Technique mixed with Myochilchaehoi Technique. The frame material of Ottchil Painting Ware is handcrafted wood. And in the painting foundation, red is presented more than black. The colors of painting and the pattern drawn on the foundation of Ottchil painting are mainly bright red, blue, yellow, black, and white (five-color). The main pat-tern used is the dragon, and the subordinate patterns are clouds and Arabesque. Also, the main pattern is solo, and the subordinate pattern is mostly an arrangement combination of radiation symmetry. This style of art was most commonly used for painting fruit trays. As stated above, Bong-Ryong Kim presented various and masterful aesthetic quality based on sincere and ex-quisite Najeon ware production skills.

목차

Ⅰ. 서론

Ⅱ. 우리나라 칠화의 전통과 특징

Ⅲ. 김봉룡 칠화 작품의 조형 분석

Ⅳ. 결론

사사

참고문헌

키워드

Myochilchaehoi tehcnique Najeon Yanggam tehcnique frame material five-color