리브레토 작가 무소륵스키와 동란의 문화

• 발행기관: 고려대학교 러시아 CIS연구소
• 저자명: 김혜란
• 간행물 정보: 『Acta Russiana』제13호, 79~88쪽, 전체 10쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2021.06.30

영문 초록

This paper is research notes about Modest Mussorgsky’s historical operas Boris Godunov and Khovanshchina as an expression of complex and characteristic cultural phenomena in Russia in the 1870s. This study focuses on the historical insights of Mussorgsky and the characteristics of the Mussorgsky s libretto. Mussorgsky s view of art was largely formed through close exchanges with a critic Stasov and ‘the Mighty Hanful’s activities. These two operas are different from the conventions of general historical operas of the time. And they are not just operas based on historical events, but operas containing thoughts about history. Mussorgsky s view of history in these operas should be considered in connection with the motif of apocalypse. A closer look at Boris Godunov and Khovanshchina will be find the Mussorgsky s pursuit of true Russia, probably included his ahistorical thoughts.

목차

1. 리브레토 작가 무소륵스키

2. <보리스 고두노프>, <호반시나>와 ‘동란’의 시간

3. 무소륵스키 오페라의 현대성

참고문헌

키워드

무소륵스키 오페라 보리스 고두노프 호반시나 리브레토 17세기 모스크바국 1860년대 세대 스타소프 쿠치카 인민주의 반역사주의 묵시 Mussorgsky opera Boris Godunov Khovanshchina libretto historical drama Muscovy Russian Sixtiers Stasov Kuchka narodniki ahistorical apocalypse