회전하는 이미지(들)

• 영문명: Rotating Image(s): Cinema, Mobility, Modernity
• 발행기관: 구보학회
• 저자명: 정찬철(Jeong, Chancheol)
• 간행물 정보: 『구보학보』27집, 125~152쪽, 전체 28쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2021.04.30

영문 초록

This paper is an attempt to explore the history of cinema in terms of its technological conditions. The medium of cinema is a technological complex, comprised of various technological elements such as the lens, film, electricity, and light. This paper will look into the history of cinema’s emergence in the age of modernity through, among others, the technologies of rotating images. This is because the rotating is a dynamic which made the medium to operate as are the gramophone, magnetic tape, and video tape recorder. Also this is because the rotating produces the specificity of the medium of technological reproduction. Firstly, this paper will suggest that it is necessary to make film history to turn from the history of cinematic representations to that of rotating images technologically. Secondly, the pre-cinema will be revisited by focusing on the technolgy of rotating sequential images. Finally, this paper explores the socio-cultural aspects of cinematic mobility by relating it with automotive vehicles and their effects of crash, and the cinema as ultra spatiotemporal medium, by analyzing early films about car explosions or crashes and Dziga Vertov’s A Sixth Part of the World (1926) and The Eleventh Year (1928).

목차

1. 서론

2. 재현의 역사에서 회전의 역사로

3. 시네마, 회전하는 이미지(들)

4. 시네마, 모빌리티 미디어

5. 결론

키워드

cinema mobility modernity rotating images cinematic mobility