조선시대 불교계의 소상팔경 작품 창작과 문학 세계

• 영문명: The Creation and Literature World of Buddhist Sosangpalgyeong in the Chosun Dynasty
• 발행기관: 한국언어문학회
• 저자명: 하성운(Ha, Seong-woon)
• 간행물 정보: 『한국언어문학』韓國言語文學 第111輯, 35~77쪽, 전체 43쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2019.12.31

영문 초록

As far as Sosangpalgyeong of Korean Buddhism goes, not much is known beyond the work by Cheonbong Manwu from Sejong era. Thus, this article intends to discover new Sosangpalgyeong works of Korean Buddhism that has not been known so far, and organize and analyze them in overall context. The analysis of each individual work had to be postponed for another time. In overall context, Sosangpalgyeong of Korean Buddhism can be organized as follows. First, this article has discovered 18 works by Woljeo Doahn (月渚道安, 1638~1715), 9 works by Seolahm Chubung (雪巖秋鵬, 1651~1706), 8 works by Donggye Gyeongil (東溪敬一, 1636~1695), 8 works by Wolpa Taeyul (月波兌 律, 1695~?), 8 works by Euiryong Chehun (義龍體訓, circa 1822~circa 1895), and 1 work by Geummyeong Bojeong (錦溟寶鼎, 1861~1930). As the result, the Sosangpalgyeong poetry has been known to be 456 works by 62 authors, but at this time, it was expanded to 505 works by 69 persons. Moreover, Sosangpalgyeong of Korea has been considered exclusive to Confucian scholars. At this time, however, this discovery was able to confirm that Sosangpalgyeong in Korea had deep roots in Buddhism as well. The overview of the authors and works of Sosangpalgyeong of Joseon-era Buddhism is as follows. First, as for Sosangpalgyeong of early Joseon era, there is only Cheonbong Manwu (千峯卍雨, 1357~?) who was active in Sejong era. He left 8 works of Sosangpalgyeong in the exchanges with Anpyeongdaegun and other Jiphyeonjeon scholars. His Sosangpalgyeong was made according to the order of works by Yeongjong of Namsong era, with poetry like a painting. And his work appeared Confucian rather than Buddhist. Most of Buddhist Sosanpalgyeong was made in the late Joseon era. First, Sosangpalgyeong was connected by teacher-student relations of Woljeo Doahn (月渚道安, 1638~1715), Seolahm Chubung (雪巖秋鵬, 1651~1706), and Heojeong Beopjong (虛靜法宗, 1670~1733). Seolahm learned fromWoljeo, and Heojeong learned fromWoljeo and Seolahm. They all left Sosangpalgyeong poetry. Woljeo and Seolahm made 7律詩with the same rhyming character, and Heojeong made 7絶句with a different rhyming character. Woljeo Doahn (月渚道安, 1638~1715) used the same rhyming character for each tense, leaving 2 works each, total of 16 works. Sosangpalgyeong of Woljeo all came from Confucian-Buddhist exchanges, and the poetic style was descriptive and transcendental. SeolahmChubung (雪巖秋鵬, 1651~1706) left 9 works following Sosangpalgyeong by Woljeo. Seolahm had the unworldly poetic style like Woljeo. The expression technique was descriptive like Woljeo, but had the characteristics of raising poetic esprit by using a lot of images. Heojeong Beopjong (虛靜法宗, 1670~1733) was the student inheriting Woljeo and Seolahm, leaving 8 works of Sosangpalgyeong. He, however, did not follow the poetic cues of his teacher s Sosangpalgyeong, but created using other poetic cues while exchanging with Confucian scholars. His Sosangpalgyeong implicitly expressed the poetic subject, unlike the detailed descriptions of his teachers. Next, Donggye Gyeongil (東溪敬一, 1636~1695), Wolpa Taeyul (月波兌律, 1695~?), Euiryong Chehun (義龍體訓, circa 1822 ~ circa 1895), and Geummyeong Bojeong (錦溟寶鼎, 1861~1930) are Buddhist Sosangpalgyeong authors that has not been known so far. They were all Zennists who appears to have had exchanges with COnfucian scholars and made Sosangpalgyeong. They all had unique poetic styles. The 8 works of Sosangpalgyeong by Donggye Gyeongil from the late 17th century had a plain poetic style, and showed the tendency to formalize the work by using 典故and 用事. The 8 works of Sosangpalgyeong by Wolpa Taeyul from the early 18th century had the novelty of attaching to , and to . He had the characteristics of reproducing the scenery of Sosangpalgyeong by utilizing the imagery of vision and sound.

목차

1. 머리말

2. 한국의 소상팔경과 불교계의 반응

3. 조선시대불교계의소상팔경과작품세계

4. 맺음말

키워드

소상팔경 불교 한시 유교 문인 스님 천봉만우 허정법종 Sosangpalgyeong Buddhism Chinese poetry Confucianism literary scholar monk Cheonbong Manwu Heojeong Beopjong