프랑스 역사야외극의 구성 요소와 지역 정체성

• 영문명: A Study on the Spectacles historiques, an open-air epic theater of France, as the Medium of Placeness Implementation of Regions
• 발행기관: 한국문화경제학회
• 저자명: 송희영(Hee-young Song)
• 간행물 정보: 『문화경제연구』제19권 제3호, 1~25쪽, 전체 25쪽
• 주제분류: 경제경영 > 경제학
• 파일형태: PDF
• 발행일자: 2016.12.30

국문 초록

본 연구는 지역사(地域史) 기반 공연콘텐츠 창작사례를 보여주는 프랑스의 ‘역사야외극 (Spectacles historiques)’을 심도 있게 탐색하여, 기존의 연극 장르와 구별되는 역사야외극의 구성 요건과 특성을 분석하고 그 시사점을 논의하고자 한다. 프랑스의 역사야외극은 고성(古城), 왕궁, 성당, 저택과 같은 역사문화유적지 경내에 마련된 야외무대에서, 그 장소와 관련된 역사적 사건이나 인물과 연관된 이야기를 공연콘텐츠로 재현하여 관중들과 교감을 이루는 지역축제의 한 유형을 일컫는다. 본 연구는 프랑스 역사야외극이 배우(연희자), 관객 (관중), 무대(공연장소)라는 연극의 3대 요소를 갖춘 역사극으로서의 속성 외에 지역의 장소 정체성을 표출하고 있는 지역문화콘텐츠서의 특성을 보유하고 있음을 제시한다. 지역문화콘 텐츠로서의 프랑스 역사야외극의 특징은 첫째, 지역주민들이 연행의 주체로서 주도적인 참여를 하고 있다. 둘째, 역사극의 연행 장소에 깃든 문화적 기억, 즉 장소감을 드라마의 플롯으로 구성함으로써 공연콘텐츠를 매개로 한 지역 정체성을 구현하고 있다. 결론적으로 프랑스의 역사야외극 연구는, 공연콘텐츠를 매개로한 문화자원 활용 지역문화사업은 외부의 전문기획사에게 공연제작을 의뢰하여 지역에 일방적인 이식을 시도하는 관주도 용역사업에서 탈피하여, 지역주민이 주체가 되어 역사극의 무대배경이 되는 장소에 깃든 문화적 기억을 스토리텔링으로 재현하는 방식으로 접근해야 함을 가르쳐 준다.

영문 초록

This study intends to explore the characteristics and composition requirements of ‘an open-air epic theater’ of France that discovered the performing arts contents from the cultural heritage space of region such as old castles, royal palaces, catholic churches, and mansions as stage. The purpose of this study is to look through the process of recreating the unique local cultural contents, which is called an open-air epic theater(outdoor historical theater),‘ by combining the resources in the historical and cultural sites of region with the performing art medium, and by exploring the entailed requirements in many ways. The examples of an open-air epic theater of France necessary for the case exploration will be introduced. It includes ‘À la Cour du Roy’ of ‘Château d Amboise’ located in the world cultural heritage old castle district in the Loire Valley. As France’s an open-air epic theater have basically three elements of play: actors, audience and stage, they belong to a genre of performance in the extended meaning. However, an open-air epic theater are different from the conventional historical dramas that dramatize historical stories. The reason is an open-air epic theater is not limited to the local cultural events for the local residents. Rather, an open-air epic theater is characterized as local, cultural products that function as promotional events for general tourists in public places. The features of France’s an open-air epic theater is summarized as follows: First, local residents play a leading role by organizing the shows. Second, the sense of place and the placeness that local residents have for the region, the place in which they live and an open-air epic theater are performed as a cultural product, forms the frame of production of an open-air epic theater. Third, from the perspective of tourists they can experience the characteristics of the local place. Moreover, tourists can utilize an open-air epic theater to interact with local residents. The an open-air epic theater as cultural tourism products, consumed by tourists who visit the cultural heritage sites of the region, provide the value of ‘place experience’ for the consumers. In conclusion, an open-air epic theater as local cultural contents should be considered separately from performance production works that transplant only three elements of play (actor, place and audience) to the region. There are several factors that will make an open-air epic theater successful as local cultural content products. First, the placeness necessary for the implementation of local identity should be presented as contents. Second, in order to actualize the implementation of local identity, the participation of local residents is an essential factor with the first priority. The an open-air epic theater should be interpreted as the works created by actively participating local residents of the region. The residents play a leading role in refining the placeness inherent in their cultural assets and translate them into art contents. With the region where they actually live as the background of an open-air epic theater, the residents embody the cultural identity of the region. In Korea, unfortunately, the process of local cultural project tends to be performed by the local government without dynamic support from the communities, so organizing cultural projects is highly likely to be analogous with placing an order for manufactured products devoid of regional identity.

목차

Ⅰ. 서 론

Ⅱ. 프랑스 역사야외극의 개념과 특징

Ⅲ. 문화적 기억과 장소 정체성

Ⅳ. 앙부아즈 고성의 역사야외극 사례 분석과 시사점

Ⅴ. 결 론

키워드

문화적 기억 장소성 지역 정체성 공연콘텐츠 앙부아즈 고성 역사야외극 Cultural memory Place identity Placeness Performing Arts Contents Châ teau d Amboise Spectacles historiques an open-air epic theater