사아달라 완누스(Sadallah Wannus)의 희곡 <6월 5일을 위한 야회(夜會)>의 주제 분석 및 브레히트 서사 기법의 영향 연구

• 영문명: A Study on Subject and Epic Technique of Sadallah Wannus’s Drama < A Night Party for 5th June>
• 발행기관: 한국아랍어아랍문학회
• 저자명: 구미란(Koo MiRan)
• 간행물 정보: 『아랍어와 아랍문학』19집 4호, 67~107쪽, 전체 41쪽
• 주제분류: 어문학 > 기타동양어문학
• 파일형태: PDF
• 발행일자: 2015.11.30

영문 초록

This study focused on subject and epic technique of Sadallah Wannus’s Drama . The crushing defeat in 1967 War stroke the whole Arab society and increased chaos on that area. Wannus met the western political drama like Weiss, Brecht during his study abroad in Paris in 1966. And when he saw defeat 1967 War, he thought that the western political drama could help Arab people to find self-consciousness and to increase their political consciousness for Arab society’s development. He believed that the political drama would be good implement to change Arab society and Arab people. So, Wannus wrote his first political drama after defeat in Paris. In this drama, he dealt with Arab social subject like a relation between ruling class and media, development of 1967 War and people’s situation, and political role of people. Wannus dealt with 1967 War directly and criticized social leaders and also neglectful people of current political situation. And he urged them to interest in domestic and foreign political situation and their correct decision. And in this drama, He used Brecht’s alienation effects like song, prolog, explanation, talk to audience and a play within a play. This alienation effects broke the 4th wall between stage and audience and help audience to have objective and critical point of view. By this drama, Wannus marked a new era in arabic political drama. He incited Arab people to politicization through his drama.