텍스트와 컨텍스트, 있음에서 됨으로

• 영문명: A Theoretical Survey for the Writing of the History of Chinese Narratives(Ⅱ)
• 발행기관: 한국중국소설학회
• 저자명: 趙寬熙
• 간행물 정보: 『중국소설논총』제28집, 375~389쪽, 전체 15쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2008.09.30

영문 초록

It is hard to say 'what novel is', or 'what novel should be'. Because novel is not defined, but comes out by itself. In China, various types of effort went into to write a history of Chinese novel after Luxun wrote his book, The Brief History of Chinese Novel(中国小说史略). But actually, it is not so easy to present a birth of one genre and the process of developing clearly. The point is that many histories of Chinese novel have sticked to Luxun's. So we should break through the contemporary thoughts and cliches to develop a certain type of concept and extend its denotation. To do so, we need to understand the concept of novel not as 'being' but as 'becoming'. There only have ever been many types of 'paroles' in the history of Chinese novel, but there was no single langue which is implied in the name of narrative. Furthermore, these 'paroles' are made up of 'holarchy , which is emerged from self-guided synergy effect not of hierarchy which is generated from stata-classification. So far there has never been written a history of Chinese novel in Korean. This thesis can be an another attempt to write a new history of Chinese novel.

목차

1. 논의의 출발

2. ‘본질론’, 또는 ‘실체론’에서 ‘관계론’으로

3. ‘있음’에서 ‘됨’으로

4. 맺음말

〈參考文獻〉

〈Abstract〉

키워드

History of Chinese Novel, Substantialism, Relationship between Genres, '永劫回归 (Ewige Wiederkunft)', the poetic of historicity