퇴계 이황의 <무이도가(武夷櫂歌)> 수용의식과 <구곡시(九曲詩)> 창작의 의미

• 영문명: Embrace consciousness of Toegye's and the meaning of creation of
• 발행기관: 동남어문학회
• 저자명: 조유영(Jo, Yu-Young)
• 간행물 정보: 『동남어문논집』동남어문논집 제36집, 289~311쪽, 전체 22쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2013.11.30

영문 초록

Toegye Lee hwang was Sarim in 16c, created with accommodate autonomously Zhuzi’s . It has important meaning about accommodating and creation of by Sarim in the Joseon Dynasty period, after Toegye’s . In accommodating , Toegye not only approve Zhuzi’s original intention is Seokyung Poetry, but also acknowledge to Poetry reader should take other meaning. In this point, Toegye understood Zhuzi’s according to Neo-Confucianism Suyangron, after then created . The structure of Zhuzi’s has closed structure what is from reality to transcendence, and comeback to reality. Toegye’s also has equivalent structure. However he emphasized constant study about truth by suggested another world again in the last part of the Poetry. Therefor, the structure of Toegye is basically involve the structure of circulration of . When Toegye creating , he reflected Neo-Confucianism Suyangron what he seek. Furthermore, Toegye did enormous influence many Yeongnam sarim’s who was following him. (Kyungpook National University)

목차

Abstract

1. 서론

2. 퇴계의 <무이도가(武夷櫂歌)> 수용의식

3. 퇴계 <구곡시>의 구조

4. 퇴계 <구곡시>의 의미

5. 결론

참고문헌

키워드

퇴계 이황 구곡시 구조 의미 수용의식 주자 무이도가 성리학 수양론 영남사림 Toegye Lee hwang Gugok Poetry Structure Meaning Conscious acceptance Zhuzi Mu-yi-do-ga Neo-Confucianism Suyangron Youngnam sarim