남부 아프리카의 구전문학과 현대적 전유의 가능성

• 영문명: Oral literature in Southern Africa and its' Contemporary Appropriation
• 발행기관: 한국비평이론학회
• 저자명: 이석호(Seok-Ho Lee)
• 간행물 정보: 『비평과 이론』제18권 1호, 145~161쪽, 전체 17쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2013.06.30

영문 초록

Southern Africa is characterised by complex intersections of orality and literacy. Almost all oral cultures on the subcontinent have been influenced by their contact with the literate cultures of the colonial settlers. Further, oral texts which have survived, such as the songs and stories of the /Xam or the izibongo of Shaka and Dingane, have undergone significant modifications through the processes of transcription and translation. As regards the twentieth-century poets and story-tellers, many of them can and do write, and the threads of orality and literacy intertwine in their work. Theorists as diverse as Frantz Fanon, Aime Cesaire, and Spivak have all written about the silencing, whether actual or effective, of the colonized in the process of colonization. While aLmost all coLonial occupation involved the physical and discursive subjection of indigenous peopLes, the destruction of social orders, and the ruthless suppression of dissent, even a cursory acquaintance with oral and popular performance genres from colonial and postcoloniaL societies suggests that the attempts to silence the other were far from successful: the colonized have continued to speak, often in unofficial ways and from unofficial spaces, but also from the centres of their societies. Oral literature played a great role in it.

목차

1. 서론: 문학사 기술의 어려움

2. 남부 아프리카와 구전 혹은 구연의 배경

3. 남부 아프리카의 구전 문학과 관련한 연구사 전통

4. 남부 아프리카 구전 문학의 4단계 분석틀

5. 구전의 현대적 전유

6. 결론을 대신하여

인용문헌

Abstract

키워드

구전문학 구연 남부 아프리카 식민주의 구술과 기억 문학사 근대성 Oral Literature Oral Performance Southern Africa Colonialism Memory Modernity