트라우마의 재현과 시청

• 영문명: Representation and Viewing of Trauma: In the light of Visual Media Saturated with Violent and Traumatic Images
• 발행기관: 한국비평이론학회
• 저자명: 서길완(Gilwan Seoh)
• 간행물 정보: 『비평과 이론』제18권 1호, 101~121쪽, 전체 21쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2013.06.30

영문 초록

Psychological theories of trauma have explained how the experience of physical harm or life-threatening situations can cause long-term behavioral and memory disorders. These theories explain the destructive effect of trauma on victims and allow greater empathy for them. Today, visual media such as film, television, and the Internet regularly contain vivid depictions of violence and catastrophe. Although the impact of these representations has been an going focus of trauma research, people appear to have learn how to watch representations of extreme violence without suffering obvious psychological effects. However, this conclusion may be premature in that recent trauma theories, developed by authors such as Shoshana Felman and Cathy Caruth, tend to concern to excessive exact and authentic transmission of trauma. This research trend does not explore multiple and extended means of experiencing trauma or suggest an acceptable mode of transmission for media saturated with traumatic images and representations. The aim of this article is to critique current trauma theory and to explore other ways to portray traumatic experiences in modem media. As an alternative strategy, the discussion draws on Joshua Hirsch's notion of "post-traumatic cinema" and suggests possible direction for transmitting and perceiving traumatic experiences through an analysis of the film, Grbavica: Land of My Dream, which presents an example of the strategy.

목차

1. 들어가면서

2. 최근 트라우마 연구의 문제점

3. 트라우마 재현과 지각형성의 대안모델로서의 “외상후 영화” 전략

4. <그르바비차: 꿈의 땅>

5. 나가면서

인용문헌

Abstract

키워드

현대 트라우마 이론 재연(과거 되살이) 플래시백 외상후 영화 공감 <그르바비차: 꿈의 땅> Contemporary trauma theory reenactment(reliving the past) post-traumatic cinema empathy Grbavica: Land of My Dream