남북통일을 위한 문화예술운동의 새로운 방향모색

• 영문명: A Search for a New Direction of The Artistic Movement for the Unification
• 발행기관: 국제고려학회 서울지회
• 저자명: 윤양호(Yoon, Yang-Ho)
• 간행물 정보: 『국제고려학회 서울지회 논문집』제12호, 89~108쪽, 전체 20쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2009.12.31

영문 초록

The transition of modern society has been processed more drastically than any other periods in the past. Keeping up with its fast speed, a lot of unexpected incidents or events are happening. Especially, the unification is of no exception. Along with the external environmental changes occurring around both Koreas, the inner situations also contain various variables. Many changes have been occurring in the area of cultural arts. Creative cultural industries have emerged as the core industries. As the cultural art has taken the credits for the motivation of creativity and flexibility, the exchange of cultural arts among different countries all over the world has been expedited along with the globalization and rapid development of technology related to the communication. Also, the digital system and information system have required the birth of new genre in art, and the convergence between diverse genres. Meanwhile, the demand for the cultural art has increased as the desire for the ‘relaxing life’ and leisure time have also increased tremendously. Such social trend for the arts may also contribute greatly to resolving the problems between North and South Korea. In case of Germany, they started to invest a lot in their exchange of cultural arts from 1960s. This effort led to some changes in East Germany and eventually to the reunification. It is certain that Germany and Korea are historically and culturally different, and hence the direct comparison between those two does not hold the strong feasibility. The characteristics of cultural arts, however, may indicate some common features shared by those two. Different political systems and economic policies of the North and the South have spread the difference in a variety of areas, from the daily lives to the behavioral manners, cultural norms, ways of thinking, and historical interpretations of the members. This kind of different cultural art has become a major obstacle to the unification process. In this perspective, one may argue that the broader understanding and exchange of the cultural art are required in modern society. In the long run, the exchange of cultural arts could become a fundamental project to prepare for the overall post-unification society by understanding the difference between North and South Korean societies and cultures. Since the North and South Korean unification process contains not only the external unification of the systems but also the inner or psychological unification as well, the exchange of cultural art will contribute significantly to the understanding of different systems and cultures, along with the expansion of the coexistence of national culture. In 1970s, Germany introduced a new art policy, which also supported the Kassel Documenta and Cologne Art Fair. While recuperating from the wound of the war, West Germany began to paint a big picture called unification, and decided to utilize the artistic characteristics to change the ways of understanding. Cassel, a small city in mid Germany, sponsored the art conference in every five years, where artist with novel ideas from all over the world gathered to discuss the arts, cultures, politics, and economics as well as to change the perspectives of Germans. Such art policy had tremendous impact on the change of German society. Also, the Art Fair that contributed to the commercialization of art works delivered the message of temptation to the artists in East Germany. This Art Fair had brought subtle changes to the perspectives of those artists in East Germany. With their efforts, East Germany could eventually experience some new movements, starting from small ripples to waves, and to the unification at the end. The artistic movement for the unification may seem to be less likely to have tremendous impact. Without such artistic effort, however, the unification cannot be fully completed as in Germany’s case.

목차

1. 서론

2. 독일 문화예술의 특성연구

3. 남한의 통일을 위한 문화예술운동의 방향모색

4. 결론

참고문헌

키워드

통일 예술 예술운동 예술정책 문화교류 민족문화 백남준 독일 unification arts art movement Fluxus art policy cultural exchange national culture Nam June Paik Germany ZERO