과천한마당축제 공간의 변화에 관한 연구

• 영문명: Spatial Transformation of Gwacheon Hanmadang Festival
• 발행기관: 한국문화관광학회
• 저자명: 장은영(Jang, Eun-young)
• 간행물 정보: 『문화관광연구』제5권 제2호, 325~340쪽, 전체 16쪽
• 주제분류: 사회과학 > 관광학
• 파일형태: PDF
• 발행일자: 2003.12.31

영문 초록

This article examines the process of Gwacheon-Hanmadang Festival(GHF)'s spatial transformation. GHF is being transformed symbolically and spatially. The original key theme of GHF is Madang play, cultural symbol against political pressure and the social contradictions of the 70's and 80's. As the grand discourse of “democratization” has disintegrated from the beginning of 90s', Madang play is largely overlooked and under performed with the exception of GHF. GHF transformed the symbolic meaning of Madang from resistance to playing. GHF is recognized as the performance art festival presented in the outdoor theater established temporally. The factors of GHF's success and succession are regional support for the festival identifying them and placeness called 'Madang'. Now the perception of Madang is the good place for outdoor performance. Even though the social and regional environments change, regional residents establish a new symbol for the festival on the base of locational characteristics such as 'Maddang'.

목차

[ABSTRACT]

Ⅰ. 공간 특성과 축제 지속성

Ⅱ. 도시공간 특성에서 비롯된 창의적 축제인 과천 한마당축제

Ⅲ. 과천한마당축제의 공간 변화와 그 한계

Ⅳ. 과천한마당축제의 공간적 관성 지속 방안

Ⅴ. 결론

참고문헌