李天輔의 文學論과 詩文學

• 영문명: A Study on the literary thoughts and poems of Yi Cheon-Bo(李天輔)
• 발행기관: 동남어문학회
• 저자명: 박수천(Park, Soo-Cheon)
• 간행물 정보: 『동남어문논집』동남어문논집 제33집, 179~199쪽, 전체 21쪽
• 주제분류: 어문학 > 문학
• 파일형태: PDF
• 발행일자: 2012.05.31

영문 초록

The remarkable point of Yi Cheon-Bo(李天輔)’s literary understanding is regardind Rules of Creative works as important. His theory was based on Rules of Creative work, and he insisted that the writers must show their thought and energy freely. He argued the side of personality from nature, that meant actually the individuality of writers. He thought that the worthy works must keep Rules of Creative and show originality intactly. Yi Cheon-Bo(李天輔) estimated the natural Light and Plain(澹泊) of Works highly. The natural Light and Plain(澹泊) of Works is T’ang style(唐風) of Literariness, Yi Cheon-Bo(李天輔) wanted to follow that style as literary state all his life by himself. The poems of Yi Cheon-Bo(李天輔) was estimated as natural works that was made by new words. Yi Cheon-Bo(李天輔) kept following nature as his literary cognition, and he wanted to show natural on hie works. Such literariness is T’ang style(唐風), he was the famous poet as T’ang style(唐風) during his period. He wanted to follow the nature making composition. He wrote the theory of the rights and wrongs about the world clearly and frankly. He worried about his world, and he felt sad stuffy. So his works showed deep thought about his literature and world.

목차

Yi Cheon-Bo, Rules of Creative works, Originality, Light and Plain of Works, Clean and Spacious of Works, T’ang style of Literariness,

李天輔, 澹泊, 淸曠, 唐風

키워드

Yi Cheon-Bo Rules of Creative works Originality Light and Plain of Works Clean and Spacious of Works T’ang style of Literariness 李天輔 澹泊 淸曠 唐風