‘신미술’의 충격 : 프랑스 아르누보 장신구의 예술성

• 영문명: A Study on the French Art Nouveau Jewelry
• 발행기관: 한국예술종합학교 미술원 조형연구소
• 저자명: 주경미(Kyeongmi Joo)
• 간행물 정보: 『Visual』vol.3, 67~86쪽, 전체 20쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2006.02.28

영문 초록

The most outstanding art genre in Art Nouveau of the nineteenth century is jewelry. Especially the jewelry of the French artists with great creativity led the birth of the contemporary art jewelry. Focusing on the works of Rene Lalique(1860-1945), Georges Fouquet(1862-1957) and Henri Vever(1854-1942), I have examined the characteristics and significance of the French Art Nouveau jewelry. Unlike the British jewelry which employed machines and mass production, they preferred manual craftsmanship and creative designs. The French Art Nouveau artists used unique materials such as semi precious stones, horn, mother-of-pearl, tortoiseshell, enamel, which had not been used before. They employed these new materials and techniques to create the opulent artistic expressions. At that time, the artists were mainly interested in creating the works for the artist himself or the patrons. Moreover, to produce the perfect artwork, they employed designers for art jewelry designs. The French Art Nouveau jewelry freely exist beyond fine art and applied art, and they were far ahead of the time in that they devoted to creating new artistic quality. Therefore the jewelry of the time is always thrilling and comes with new and fresh impressions to us.

목차

1. 머리말

2. 아르누보 양식의 기원과 발전

3. 주요 작가를 통해 본 프랑스 아르누보 장신구의 특징

4. 프랑스 아르누보 장신구 디자인의 의의와 그 영향

5. 맺음말

Abstract