“‘얼굴 없는’ 회화의 욕망은 도처에 있다”

• 영문명: Le desir de la peinture sans visage est partout!
• 발행기관: 한국예술종합학교 미술원 조형연구소
• 저자명: 심상용(Shim, Sangyong)
• 간행물 정보: 『Visual』창간호, 20~44쪽, 전체 25쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2002.02.28

영문 초록

The attempt to reinstate painting has been viewed as a possible or necessary measure, or anachronistic nostalgia. Sometimes it is thought to be the fresh desire for survival or, on the contrary, miserable sign of the end. Nevertheless, this essay addresses that there is no more paintings to live with or to become extinct. It is undeniable that the ‘painting’ is in the precipitous decline in terms of its traditional value and meaning. Actually, painting has been heavily damaged by the lack of the criteria for its success; too many ambiguous things are frequently evaluated pseudo ‘good painting’. It should be mentioned that many paintings come not to live up to our expectation. We are still showing our desire to believe in the value of painting. However, it is unfortunate that painting would not be valued in anything itself. We still want painting, but for the moment it remains in the absence of the identity where our language cannot reach.

목차

1. 상황 읽기, 다시 회화인가?

2. 진공상태의 회화?

3. ‘화가-전투원’들의 회화

4. 논쟁: 사회인가 개인인가?

5. ‘뉴 룩(new look)’, 혹 ‘네오 페인팅(neo-painting)’과 그 탈논쟁적 전망

6. ‘확장된 회화’의 가능성: 장르각, 에르네스트 피뇽-에르네스트

7. 회화, 임종인가 실패인가?

Abstract