홍산문화의 복식유물과 고조선 복식의 지속성

• 영문명: Dressing Relics of Hongshan Culture and Durability of Gojoseon Dressing
• 발행기관: 백산학회
• 저자명: 朴仙姬(Park, Sun-Hee)
• 간행물 정보: 『백산학보』第87號, 5~71쪽, 전체 67쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2010.08.30

영문 초록

A huge quantity of jade ornaments was unearthed in Hongshan culture. Jade ornaments are carvings in realistic forms of human, animal, plant, insect in nature or abstract animal forms, impractical production tools, etc. and they represent the will to mold with vitality, pursued by the inhabitants, quite well. All jade ornaments produced since early Neolithic Age in Korean Peninsula and Manchuria are not only made from jade produced in Xiuyan but also lasts as Gojoseon dressing culture in the similar style generally found in Hongshan culture. As a good example, the topknot-covering jade ornament unearthed in the Niuheliang tomb of Hongshan culture is the original form of jeolpung, a topknot-covering cap widely used in Gojoseon. Arriving at Proto-Three Kingdoms and Three Kingdoms Era, the jeolpung came to be used throughout Buyeo, Goguryo, Silla, Baekje, Gaya, etc., and it is confirmed by numerous artifacts ranging from official caps seen in murals of old tombs to golden crowns, clay figurines, masks, etc. The basic style of the Korean official caps can have its substance and identity seen in a new light from the tradition of Gojoseon culture originating from the Hongshan culture. In the ruins of Hongshan culture, jade spindle wheels and a huge quantity of spindle wheels of various sizes have been unearthed. The important thing is that a spindle wheel of same style and material as the ones unearthed in Hongshan culture was unearthed in the Upper Xiajiadian ruins. From the characteristics of spindle wheel, we can see that the Hongshan culture developed into Lower Xiajiadian culture, which in turn developed into Upper Xiajiadian culture, a violin-shaped dagger culture of Gojoseon. In the Niuheliang ruins of the late Hongshan culture, a large number of elaborate jade buttons were unearthed. Actually the developmental phases of ornamental buttons universally appear in Korean Peninsula and Manchuria since the Neolithic Age as textile productions develop accompanying various ornamental techniques. This is a contrast to the fact that ornamental buttons are rarely found in Neolithic cultural ruins at Huang He (Yellow River) drainage basin in China. In the clothing and accessories of Ancient Koreans, ornamental techniques took up a huge part. Ornamental techniques formed individual beauty through difference in sizes, styles, and directions of geometric lines. As such, the dressing style with unique ornamental techniques, weaving techniques, dyeing techniques, etc. combined with moderation originates from Hongshan culture, succeeded in Gojoseon afterwards to represent the identity by forming traditional techniques. In the course of overall character analysis in data on dressing, we can see in a new light that the Hongshan culture developed into Lower Xiajiadian culture belonging in the early Bronze Age in which Gojoseon appeared, which in turn developed into the Upper Xiajiadian culture, a Gojoseon violin-shaped dagger culture.

목차

Ⅰ. 홍산문화 복식유물의 성격과 고조선 복식

Ⅱ. 옥으로 만든 복식유물과 고유양식의 지속

Ⅲ. 홍산문화 채색기법의 성격과 채색의 발달

Ⅳ. 홍산문화에 보이는 고조선 복식문화의 특징

[Abstract]

키워드

홍산문화 고조선 복식문화 절풍 금관 옥장식 채색기법 Hongshan culture Gojoseon dressing culture jeolpung golden crowns jade ornaments dyeing techniques