비판적 수용과 해방의 모색

• 영문명: Exploring Emancipatory Popular Culture:Browne and Kellner
• 발행기관: 한국외국어대학교 영미연구소
• 저자명: 정상준(Sangjun Jeong)
• 간행물 정보: 『영미연구』제17집, 303~331쪽, 전체 29쪽
• 주제분류: 사회과학 > 지역학
• 파일형태: PDF
• 발행일자: 2007.12.30

영문 초록

This study examines two intellectuals' response to popular culture: Ray B. Browne and Douglas Kellner. They represent the changed attitude of a majority of American intellectuals towards popular culture since the 1960s. Browne, a folklorist and literary scholar, claims that popular culture is the voice of democracy in which the people express their everyday life in a creative way. He criticizes those as snobbish and elitist who look down at popular culture. He is a key figure in establishing popular culture as a legitimate field of study. Kellner, a Marxist philosopher, attempts to utilize popular culture as an instrument for progressive social transformation. He focuses on the oppositional moments in popular culture which challenge the institutions and way of life of the establishment. He urges left intellectuals to explore emancipatory popular culture and realize its potential to transform people's thought and behavior. This study also suggests that Browne and Kellner respond to something in the air, particularly the institutional theory of art and artworld which has contributed the thinning of the boundary between elite culture and popular culture.

목차

Ⅰ. 서론

Ⅱ. 레이 B. 브라운

Ⅲ. 더글러스 켈너

Ⅳ. 예술제도론

참고문헌

Abstract

키워드

popular culture intellectual institutional theory of art artworld Ray B. Browne Douglas Kellner