에밀리 디킨슨의 부정의 시학

• 영문명: Emily Dickinson"s Negative Poetics
• 발행기관: 한국영미어문학회
• 저자명: 권현주(Kwon Hyun-Joo)
• 간행물 정보: 『영미어문학』영미어문학 제85호, 111~132쪽, 전체 22쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2007.12.30

영문 초록

  Emily Dickinson keenly recognized women"s tragedy in the attitude of women sustaining the dominant ideology by taking use of their femininity as social victims. She used domestic and religious imagery to reveal negative realities strategically as if scaffolds were to be removed after the building was completed. With this typical imagery, she could avoid her own contemporary censorship and discard it. This made it possible to disclose not only the inertia but also the totalitarian characteristics of the dominant ideology.
  Superficial presentation of passive self as a victim could divulge the subconsciousness of the dominant ideology as well as the mechanism in which the passive existence was forced to stay in passivity. While the oppressive social structure of religious, patriarchal, and economic power has continued up to now, Dickinson"s modernity lies in seeking after ways of overcoming from the victim"s viewpoint.
  By not compromising the negative reality, she pursued to preserve her uniqueness and creativity recognizing women"s social position as "subjects" and, at the same time, as "others". Her life and poetry was "to negate the negativity", so it could be defined as "negative poetics".

키워드

에밀리 디킨슨 거푸집 부정 지배이데올로기 전체주의 Emily Dickinson negativity scaffold dominant ideology subjects