박경리『토지』속의 인물 외양묘사 연구

• 영문명: A Study on the Description of Appearance in Park, Gyong-Lee"s『Togi』
• 발행기관: 어문연구학회
• 저자명: 정종진(Jong-Jin Jeong)
• 간행물 정보: 『어문연구』語文硏究 第52輯, 341~365쪽, 전체 25쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2006.12.30

영문 초록

  It is essential to describe character"s appearance in every novels. To achieve the purpose, author have to establish various strategies of Description of Appearance.
  There are so many characters in Park, Gyong-Lee"s『Togi』, she could not make typify all of them.
  Physiognomy contributes to description of appearance. Because physiognomy believes that appearance is his dr her mind. The predictive physiognomy which contributes to personality-analytic physiognomy and the frame of the work for creation of personality-makes the causal nexus rigid- can be maximized if it is used minimally as much as needed.
  In『Togi』, author"s Physiognomic attainment is reasonably displayed. The reader would come to know the reason he couldn"t show his attainment. He could not give consideration to each character"s relation because there are too many characters and events in his novels. Because every character is the hero or heroin, all of them intimate the clue of destiny.
  Therefore he couldn"t but solve the progress of the events and the framework partially in the novels. The most universal feature is that character"s inside is revealed in manners, and it is translated into action properly.
  The author concentrates his concern on the "eye" which is considered as the most important thing. But the wright knows he can not solve everything with "eye". So she emphasized the "brow" too. It could not discover other novels. In physiognomy "brow" means intelligence. Readers can know she try to make the heroes and heroine very intelligent.
  In『Togi』, the writer uses the method which makes a character stand out by showing the appearance partially, or which implants the strong image to readers by repeating the distinctive appearance whenever it is needed.

목차

Ⅰ. 드는 말
Ⅱ. 외양묘사에 관상학을 활용
Ⅲ. 부분묘사를 반복하여 인물을 형상화
Ⅳ. 선역과 악역의 관상적 차별
Ⅴ. 눈과 이마에 집중된 묘사
Ⅵ. 나는 말
참고문헌
Abstract

키워드

physiognomy description of appearance character