조정래 3大 소설 속의 인물 외양묘사 연구

• 영문명: A Study on the Description of Appearance in Joh, Jeong-rae's 3 Major Novels
• 발행기관: 어문연구학회
• 저자명: 정종진(Jeong Jong-jin)
• 간행물 정보: 『어문연구』어문연구 제44집, 403~434쪽, 전체 32쪽
• 주제분류: 어문학 > 한국어와문학
• 파일형태: PDF
• 발행일자: 2004.04.01

영문 초록

It's not sufficient only that the objective description is substantial to talk readers over the characters in the novels. It would be better to give full scope to attainment of physiognomy to show the veritable ‘taste’ of appearance description of the characters. The predictive physiognomy which contributes to personality-analytic physiognomy and the frame of the work for creation of personality - makes the causal nexus rigid - can be maximized if it is used minimally as much as needed. In Joh's 3 major novels, his physiognomic attainment is reasonably displayed. The readers would come to know the reason he couldn't show his attainments. He couldn't give consideration to each character's relation because there are too many characters and events in his novels. Because every character is the hero or heroine, all of them intimate the clue of destiny. Therefore he couldn't but solve the progress of the events and the framework partially in the novels. The most universal feature is that character's inside is revealed in manners, and it is translated into action properly. Joh's 3 major novels are so voluminous that the reading pace may be slow. And because he deals with many ideologies, his novels might be static. The physiognomic attainment should have been demonstrated tersely and intensely to give speediness and dynamics to his novels. So he concentrates his concern on the ‘eye’ which is considered as the most important thing. Especially, he gives emphasis on the ‘moving’ eye, not‘born’ eye. The fixed appearance shows the born personality because it disregards character's look and excludes his emotion, but the changing appearance becomes energetic because it shows the character's emotion promptly according to circumstances. But the writer knows he can't solve everything with the ‘eye’. So he uses the method which makes a character stand out by showing the appearance partially, or which implants the strong image to readers by repeating the distinctive appearance whenever it is needed. That method gives readers speediness and novelty.

목차

Ⅰ. 인물 외양묘사는 관상학으로 성숙한다

Ⅱ. 관상학을 어떻게 활용했나

Ⅲ. 외양 묘사의 특징은 무엇인가

Ⅳ. 작품에 역동성과 속도감을 주었다.

참고문헌