“Shen, Miao, Neng and Yi”- A Study of Tang Painting Theory and Paintings and Their Contemporary Significance

• 영문명: “Shen, Miao, Neng and Yi”- A Study of Tang Painting Theory and Paintings and Their Contemporary Significance
• 발행기관: Korea Institute for Humanities and Social Sciences(KIHSS)
• 저자명: 邢嘉宁(Jianing XING)
• 간행물 정보: 『Journal of Global Arts Studies (JGAS)』Vol.2, No.1, 99~108쪽, 전체 10쪽
• 주제분류: 인문학 > 기타인문학
• 파일형태: PDF
• 발행일자: 2024.03.30

국문 초록

【背景】“六法”之后，“神、妙、能、逸”四个品第成为第二大绘画品评之法。唐代是一个分界点，在此之前，中国传统绘画品评并没有明确的等级之分，而唐代以后，观画者能根据绘画品第自行对作品作出判断。 【目的】“神、妙、能、逸”开创了人们品评绘画的心法与规范，研究者将对这四个品第进行理解与再分析，深入探究其在唐时期的演变，推演其传统渊源及对后世的影响与意义。 【方法】以“神、妙、能、逸”理论体系产生的时代背景为基础，列举张怀瓘、朱景玄、张彦远、黄休复等绘画理论家的代表性思想，梳理“神、妙、能、逸”理论体系在唐代的发展历程、应用及现代启示。 【结果】“文变染乎世情，兴废系乎时序”，历朝历代更新迭代，先锋似的画论思想层出不穷，不断成为那个历史时期不同阶级、不同审美观的绘画思想代表。然而直到今天，“神、妙、能、逸”四个品第依然是中国绘画理论思想中的论画祖法，代表着我们堪称珍贵的民族特色。 【结论】因此，即使目前绘画界评述数目繁多，根基依然是围绕“神、妙、能、逸”展开。

영문 초록

[Background] After the Six Methods, the four grades of “Shen, Miao, Neng and Yi” became the second most important painting assessment method. The Tang Dynasty was a demarcation point. Before that time, there was no clear hierarchy in the evaluation of traditional Chinese paintings, but after the Tang Dynasty, the viewers could make their own judgement on the works according to the grades of the paintings. [Objective] The researcher will understand and re-analyse these four grades, explore their evolution in the Tang Dynasty, and deduce their traditional origins and their influence and significance on later generations. [Method] Based on the background of the era when the theory system of “Shen, Miao, Neng and Yi” was created, the researchers will list the representative ideas of painting theorists such as Zhang Huaiguan, Zhu Jingxuan, Zhang Yanyuan, and Huang Xiufu, and sort out the development, application, and modern revelation of the theory system of “Shen, Miao, Neng and Yi” in the Tang Dynasty. The study also examines the development of the theoretical system of “Shen, Miao, Neng, Yi” in the Tang Dynasty, its application and modern revelation. [Results] “Changes in literature depend on the world's situation, and the rise and fall depend on the order of time”. Throughout the dynasties, there have been numerous pioneering painting theories, and they have become the representatives of different classes and aesthetics in that period of history. Until today, however, the four qualities of “Shen, Miao, Neng and Yi” are still the ancestral method of painting theory in Chinese painting thought, representing our precious national characteristics. [Conclusion]Therefore, even though there are a large number of commentaries in the painting world at present, the foundation is still centred around them.

목차

1 引言

2 “神、妙、能、逸”理论体系产生的时代背景

3 唐代“神、妙、逸、能”理论体系的发展历程及应用

4 “神、妙、能、逸”体系的当代意义

参考文献

키워드

“神、妙、能、逸” 张彦远 张怀瓘 唐代画评 “Shen, Miao, Neng, Yi” Zhang Yanyuan Zhang Huaiguan Tang Dynasty Painting Commentary