중국 ‘有無相生’ 미학의 현대적 수용

• 영문명: Modern interpretation of Chinese 'to be' and 'not to be' coexistence esthetics
• 발행기관: 중국인문학회
• 저자명: 문혜정
• 간행물 정보: 『중국인문과학 』제49집, 333~351쪽, 전체 19쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2011.12.30

영문 초록

In the process of globalization , Orient has followed Occident and works of art has been westernized. Hence modern art only has been commodity estimated by economic value. It is important to look back Oriental thought thinking much of harmony in the materialistic contemporary world. In this thesis, coexistence of 'to be' and 'not to be' esthetics thinking much of harmony of contents and form is investigated in the Oriental thoughts. Coexistence of to be and not to be esthetics is Oriental esthetics thinking much of harmony of contents and form. 'Not to be' is reason, principle of universe, and unlimited power. 'Not to be' is psychological element. Chinese artists want to describe 'not to be, in the works of art and that has raised the values of them. But it is not until we can recognize 'to be' that we can refer 'not to be'. we must not make a mistake of forgetting importance of 'to be' due to overestimating 'not to be'. In fact, problem of modern art is to forget 'to be' by resorting to 'not to be' in the premise of high level psychological world. Because some people has ignored 'to be' by resorting to metaphysical reason, absurd works of arts has been widespread. Hence in this time to look back Chinese coexistence of 'to be' and 'not to be' esthetics will be the clue for recognizing problem of modern art.

목차

Ⅰ. 들어가기

Ⅱ. ‘有無相生’ 미학의 의미

Ⅲ. ‘有無相生’ 미학의 현대적 수용

Ⅳ. 결론

키워드

to be not to be esthetics harmony modern art