西厓 柳成龍의 『楚辭』 受容의 美意識

• 영문명: A study on the Aesthetic consciousness of Cho-sa(『楚辭』) mentioned in the Seoae(西厓), Ryu Seong-ryong(柳成龍)’s poetry
• 발행기관: 동방한문학회
• 저자명: 申斗煥(Shin, Doo-hwan)
• 간행물 정보: 『동방한문학』제69호, 219~259쪽, 전체 41쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2016.12.30

영문 초록

This paper is a study on the aesthetics of Cho-sa( Cho-sa(『楚辭』) mentioned mentioned in the Seoae(西厓), Ryu Seong-ryong(柳成龍, 1542~1607)’s 1607)’s poetry. The Cho-sa(『楚辭』) is a model of Literature of Chinese poetry. He was a great premier who got over suffering from Japanese invasion in 1592(壬辰倭亂) The Choseon(朝鮮) Dynasty period. He was left outstanding achievements in academic aspact as well as political and military aspect. He is learn many things by imitation of Cho-sa(『楚辭』) and composed different form s poems by imitation of Cho-sa(『楚辭』). Seoae, Ryu Seong-ryong, were accommodated in the Neo-Confucianism position. Ryu Seong-ryong’s poetry is full of tragic beauty by imitation of Cho-sa(『楚辭』). his poem is a distinctive romantic atmosphere by imitation of mentioned in Cho-sa(『楚辭』) folklore, beautiful flowers and plants. Ryu Seong-ryong is much alike in character. he is get driven out from the party of a councilor to the king. The incident colored his entire life. They are smart, capable and supremely confident in the poem world of Cho-sa(『楚辭』). The Ban-weonyu(反遠遊) is the masterpiece of his elaborations the aesthetics of Cho-sa( Cho-sa(『楚辭』) mentioned mentioned in the Ryu Seong-ryong’s poetry. The Ban-weonyu(反遠遊) is an adaptation from one of Ch u Yuan(屈原) s Cho-sa(『楚辭』) The Weonyu(遠遊). Ryu Seong-ryong s poem is the aesthetic consciousness in the Cho-sa(『楚辭』) since the creation of Ch u Yuan(屈原) . Their Chinese poetry is very beautiful. His poem have a fitting comparison and a symbol a deep meaning sacred verbal image. Ryu Seong-ryong is composed different form s poems by imitation of Cho-sa(『楚辭』). Ryu, Seong-ryong’s poetry was the sediment sediment like melting into Cho-sa(『楚辭』) brilliantly brilliantly down the light.

목차

1. 문제의 제기

2. 서애의 시대적 배경과 『楚辭』에 대한 인식

3. 서애의 『楚辭』 수용 양상과 그 문학적 경향

4. 결론

참고문헌

키워드

柳成龍 楚辭 屈原 Ryu, Seong-ryong Cho-sa Ch u Yuan Neo-Confucianism Aesthetic consciousness