토니 모리슨의 『재즈』에 나타난 조 트레이스의 찾기와 사랑

• 영문명: Joe Trace’s Tracing and Love in Toni Morrison’s Jazz: focused on Gilles Deleuze’s Time-images
• 발행기관: 한국영미어문학회
• 저자명: 권은녀(Eun Nyeo Kwon)
• 간행물 정보: 『영미어문학』영미어문학 제143호, 25~43쪽, 전체 19쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2021.12.31

영문 초록

Jazz is one of the Toni Morrison’s trilogy on the question of love, which asks questions about numerous forms of love. Many critics of Jazz claim that the protagonist Joe Trace’s spooky love for Dorcas stems from the absence of his mother’s love. It is widely accepted that no matter how many times Joe searches for love, as he goes around the same track endlessly without escaping the pain of the absence of motherhood, he always fails to love. On the contrary, I insist that Joe can escape his spooky love by searching for the traces of his mother. In order to identify how Joe’s search creates love and new life, I analyze time-images of the Joe’s past memories in his present. I focus on images in the novel, because in the process of Joe’s tracing of his mother, many time-images spread out being inconsistent and fragmented just like time-image in the movie. Therefore, I adopted the concepts of the time-image, dealt with in Gilles Deleuze’s book Cinema 2: The Time-Image, to study how Joe’s search creates new life and love rather than being the failing love. By studying time-images including past, non-chronic, virtual time, I verify how Joe creates his new life and love through his tracing.

목차

1. 서론

II. 조 트레이스의 찾기

III. 조 트레이스의 여덟 번째 태어남과 단 하나의 사과

IV. 결론

인용문헌

키워드

조 트레이스의 찾기 질 들뢰즈의 시간-이미지 거짓 서사 잠재적 시간 Jazz Joe’s tracing Gilles Deleuze Time-Image False Narrative non-chronic virtual time