왕정복고기 셰익스피어와 탈식민성

• 영문명: Restoration Shakespeare and Decoloniality: New Epistemic Heroine in William Davenant’s Macbeth
• 발행기관: 한국영미어문학회
• 저자명: 홍은숙(Eun-Sook Hong)
• 간행물 정보: 『영미어문학』영미어문학 제142호, 137~155쪽, 전체 19쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2021.09.30

영문 초록

This paper justifies regarding ‘Restoration Shakespeare’ as ‘a decolonial drama’ by analyzing the differences between Davenant’s Macbeth and the Folio edition. Restoration Shakespeare expanded roles of women such as the three witches and Lady Macduff, adapted the new theatre language such as singing and dancing, and devised spectacular stage performances. All these dramatic techniques contribute to de-centering and overturing the colonial matrix of power (CMP). The anti-heroes in the periphery in the Folio edition emerged as new epistemic heroes in Davenant s Macbeth. With non-literal language and theatrical devices, the witches ridicule CMP which is reproduced and operated by Duncan-Macbeth-Malcolm. Davenant added new scenes for Lady Macduff who takes part in political debates and encounters the witches to reinforce her role to dismantle the foundation of CMP. Above all, Lady Macduff as a knowing-subject and epistemic heroine presents a new value of moral innocence against Macbeth s ambition and moral weakness. As a decolonial drama, Davenant s Macbeth represents decolonial epistemology with the adaptation of Shakespeare.

목차

1. 서론: 식민주의(Colonialism)와 탈식민주의(Decolonialism)

2. 왕정복고기 셰익스피어의 극장 문화, 각색, 탈식민성

3. 반주인공 마녀의 새로운 연극언어와 전복성

4. 새로운 인식론적 영웅, 레이디 맥더프

5. 결론: 왕정복고기 셰익스피어에 나타난 탈식민 인식론

인용문헌

키워드

adaptation colonial matrix of power(CMP) Restoration Shakespeare William Davenant’s Macbeth decoloniality epistemic heroine