전전 일본의 한센병 환자 격리정책과 국책영화 <작은 섬의 봄(小島の春)

• 영문명: Leprosy Isolation Policy and a Propaganda Film Named in Prewar Japan
• 발행기관: 일본사학회
• 저자명: 강태웅(Kang, Tae-Woong)
• 간행물 정보: 『일본역사연구』일본역사연구 제54집, 181~210쪽, 전체 30쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2021.04.30

영문 초록

This article analyzed the historical and ideological background of the movie . First of all, this study pointed out why the Japanese government pursued an all-out and aggressive quarantine policy in the 1930s, the influence of eugenics thought, and the Western view of leprosy as an epidemic disease in the colony. The act of quarantining a patient with leprosy disease into a sanatorium has been dubbed as slogans such as “purification of the motherland” and “purification of the nation”. This was a slogan based on eugenics that resonated with “national hygiene,” and was a different action from quarantine measures against other infectious diseases. The film , produced in the background of this era, has been known to film researchers as a movie depicting “humanism” under the name of “bungei-eiga(literary film)”. This paper revealed that this explanation was actually an evaluation that accepted the propaganda phrase at the time according to the planning intention of the commercial department at the time. This article also analyzed how the film tried to express the national policy of ‘purifying the motherland’ visually. had close cooperation with the authorities from production to screening. The most important expression for patients with leprosy disease was found to be suppressed as it did not fit into a “purified” country, and at the same time, the use of the word “quarantine” was also suppressed. The film did not take into account the narrative that they were excluded from society by not describing realistically about patients with leprosy disease. Rather, by replacing the beautiful scenery with the patient s expression, the scenery served as a metaphor for a bright and hopeful place away from the place where they currently live, and gave the audience a sense of mission to guide the patients with leprosy into such a bright scenery.

목차

Ⅰ. 들어가며

Ⅱ. 1930년대 ‘나예방법’ 제정의 배경

Ⅲ. 국책영화 <작은 섬의 봄>의 제작과 한센병 환자의 표현

Ⅳ. 강연회로서의 <작은 섬의 봄>

Ⅴ. <작은 섬의 봄> 속의 아이들

Ⅵ. 영화의 흥행과 당사자의 반응

Ⅶ. 나가며

키워드

한센병 작은 섬의 봄(小島の春) 오가와 마사코(小川正子) 도요다 시로(豊田四郎 ) 나가시마 애생원(長島愛生園) 무나현(無癩県 ) 운동 leprosy Kojima no Haru Ogawa Masako Toyoda Shiro Nagashima Aiseien Muraiken Movement