리사 크론의 자전적 치유 연극의 드라마트루기 변화

• 영문명: The Change of Dramaturgy in Lisa Kron s Autobiographical Therapeutic Theatre
• 발행기관: 한국영미어문학회
• 저자명: 우현선(Hyunsun Woo)
• 간행물 정보: 『영미어문학』영미어문학 제137호, 75~91쪽, 전체 17쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2020.06.30

영문 초록

This paper examines how Lisa Kron construct her autobiographical therapeutic theatre through the change of dramaturgy in 2.5 Minute Ride and Well. Kron has tried to overcome the flaw of her previous solo plays involving the risk of an omniscient narrator s self-conceit. As a part of a theatrical exploration, she shifts monotonous storytelling to avant-garde metatheatre which develpos the conflict by second characters. In her self-revelatory performance, the audience become the subject of the performance by being witnesses of her vulnerable revelation. In 2.5 Minute Ride, the audience play the role of indirect witnesses by filtering Kron s testimony. And they become direct witnesses as listners of her self-confessinal monologue in Well. In the end, the dynamic styles of Kron s plays are intended to induce the self-reflection of the audience and the performer, healing their inner world.

목차

1. 들어가며

2. 드라마트루기의 전환

3. 증인되기의 변화

4. 나가며

인용문헌

키워드

리사 크론 2.5분 타기 건강 자전적 치유극 일인극 자기표현 공연 자기성찰 증인되기 Lisa Kron 2.5 Minute Ride Well autobiographical therapeutic theatre monodrama self-revelatory performance self-reflection being witnesses