<조선왕, 맥베스>: 문화적 변용과 각색

• 영문명: Macbeth, King of the Joseon : Cultural Appropriation and Adaptation.
• 발행기관: 한국영미어문학회
• 저자명: 류현주(Hyunju Ryu)
• 간행물 정보: 『영미어문학』영미어문학 제132호, 19~35쪽, 전체 17쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2019.03.30

영문 초록

This study discusses cultural appropriation and adaptation in Macbeth, King of the Joseon which is a Korean stage adaptation of William Shakespeare’s Macbeth. This Korean Shakespeare production was financially supported by Korean government and first performed in 2016 with an aim of making Shakespeare works more accessible to the local people, and traditional Korean culture better known to local and global audience. While a plot and main characters of the source text remain unchanged, the historical background of Scotland changed into the Joseon dynasty and Korean “scenographic and physical modes” such as costumes and settings. As the program leaflet introduces, this Korean performance offers a new way of appreciating Macbeth with traditional Korean music, a media art and a contemporary modern dance as an example of intertextual and multicultural application beyond fidelity.

목차

1. 서론

2. 본론

3. 결론

키워드

Macbeth King of the Joseon cultural appropriation adaptation fidelity global/Asian Shakespeare 『맥베스』 <조선왕, 맥베스> 문화적 변용, 각색 충실성 세계적/아시아 셰익스피어