宋徽宋的繪畫實踐與北宋晩期的文藝生態

• 영문명: The Practice of Song Hui-zong’s Painting and the Artistic Ecology of the Northern Song Dynasty
• 발행기관: 경북대학교 아시아연구소
• 저자명: Li Fang hong(李方紅)
• 간행물 정보: 『아시아연구』제21호, 241~261쪽, 전체 21쪽
• 주제분류: 인문학 > 역사학
• 파일형태: PDF
• 발행일자: 2017.10.30

국문 초록

宋 徽宋의 회화 작품은 중국미술사에서 중요한 의미를 지니고 있어 역대 학자들의 많은 관심을 받았다. 송 휘종은 직접 북송 후기의 회화 발전을 이끌었으며, 동시에 당대의 회화 풍격을 조성했다. 이 회화의 풍격은 文人繪畫와 宮廷繪畫의 특색을 융합한 것이며, 또한 남송 宮廷繪畫 및 元代 文人畫의 발전과 형태 조성에 영향을 주었다. 학술계의 송 휘종의 회화에 대한 연구는 20세기 50년대부터 시작되었고, 반세기를 넘는 동안의 노력을 통해 개혁ㆍ개방 이래로 풍부한 성과를 이루었다. 그러나 이전의 연구는 종종 송 휘종이 가진 제왕이라는 신분을 격리시켜 보았으며, 정치적 요소가 휘종의 예술에 미친 영향을 명확하게 설명하는 것이 드물었다.

영문 초록

Song Hui-zong’s painting has important significance for the history of Chinese art, and has always been attracted scholars’ attention. Song Hui-zong directly promoted the late Northern Song Dynasty painting development, and created its painting style. This painting style combines the literati painting and the palace painting a number of characteristics, and influenced the Southern Song court painting and the Yuan Dynasty literati painting development and stereotypes. After more than half a century of efforts, especially since the reform and opening up, scholars has made a wealth of the study of Song Hui-zong painting. Past studies often fragmented the emperor identity, political factors for the impact of Huizong art is also not elaborate. This article attempts to observe the art of Hui-zong in the later period of the Northern Song Dynasty, and further study how Hui-zong is to promote and shape the paintings of the late Northern Song Dynasty and the means used in this process in order to clarify the style and development of the later paintings of the Northern Song Dynasty, in order to Hui-zong art history of the status of an objective evaluation. Based on the objective facts of Emperor Hui-zong as an emperor artist, this thesis intends to put the art of Hui-zong in the political and cultural background of the late Northern Song Dynasty, and from the perspective of cultural history and political history, the cultural significance of Hui-zong painting is discussed. This paper intends to analyze the two aspects: court painting and literati painting, emperor power and art sponsorship, and study Hui-zong in the Song and Yuan Dynasties painting in the history of painting significance. First, in the palace painting and literati painting, mainly to Hui-zong dynasty paintings as the center, study the late Northern Song Dynasty painting development. Second, the emperor power and art sponsorship is mainly discussed Hui-zong painting practice formation mechanism. This part is mainly from two aspects of analysis, that is, the royal family and civil service group competition, the court art and literati art competition. Third, Hui-zong and Song Yuan painting changes. Hui-zong under the guidance of the Northern Song Dynasty palace painting for the Song and Yuan Dynasties painting changes have two specific manifestations, one manifested in the Hui-zong painting thought of the matter to know, that is, the Chinese painting from the attention to the shape of both pay attention to the shape and focus on the shape Behind the “common sense”. The second is the exploration of the theory of poetry and painting. Through the above discussion, this thesis summarizes the historical significance of Huizong painting from the perspective of cultural history and political history, and extends from the Song Dynasty to the Qing Dynasty, and further discusses the court painting in the literati painter and the artist In the growth and decline.

목차

[提要]

一、距離與想像: 徽宋歷史形象的錯位

二、繼承與發展: 徽宋繪畫的硏究綜術

三、分界與關聯: 徽宋繪畫硏究的範式轉變

四、餘論: 夢回三代

키워드

Song Hui-zong Palace collection History of painting Painting ideas Painting poem court painting literati painting Art sponsorship 宋徽宋 宮廷收藏 畫 史演變 繪畫 思想 題畫 詩 宮廷繪畫 文人畫 藝術贊助