1930년대 기생의 음악활동 일고찰

• 영문명: An Examination of Gìsaeng Sìngers in the 1930s.
• 발행기관: 영남대학교 민족문화연구소
• 저자명: 장유정(Jang， Eu-Jeong)
• 간행물 정보: 『민족문화논총』제30집, 463~510쪽, 전체 48쪽
• 주제분류: 인문학 > 문학
• 파일형태: PDF
• 발행일자: 2004.12.30

영문 초록

The purpose of this paper is to t삶‘e a look at the gisaeng of the fst half of the 20th century and to thoroughly discuss the careers of those gisaeng who were active as singers of popular songs, as well as the songs that they sung, uncovering what sort of contribution they made ín the history of songs. Gisaeng played an important role as síngers of conventional songs, and the veη first phonograpruc recording on record was made by a gisaeng. Gisaeng also made major contributions as singers of pop띠arsongs ín the nùd 1930s. Led by 、Vang Subok, the gisaeng singers of popular songs in the 1930s were very popular ín their day‘ During the process of exanùning the records recorded by these gisaeng, it was discovered that, contrary to previous research, gisaeng singers of popular songs were not merely acve as singers of simple new folk songs (Sinmiiη!yo). Seonu llseon and Yi Hwaja were clearly skilled in the area of new folk songs, so it is not unreasonable to label them new folk song singers, but Wang Subok, Kim Bokhui, and Kim Insuk recorded far more YuJuengga than new folk songs. Popular song singers of gisaeη g ongm were impαtant because, as hey were well-versed in tradition vocalization and singing hniques， they were able to play the role of a bridge between tradition and the newly emerging music of the time. In short, giseng singers of the first half of the 20th century were not only singers of conventional and popular songs, but they helped connect traditìonal and new forrns of music‘ It is clear that an objective perceptíon 때d evaluation of the activities of gisaeng singers is necessary.

목차

1. 머리말

2. 기 생들의 대중가요계 진출

3. 기생가수에 대한 대중들의 호용

4. 기생이 취입한 음반 목록과 그들의 생애

5 대중가요계에서 기생가수들악 위상과 그 의미

6. 맺음말

키워드

기생 (Gisaeng) 가수(Singers) 대중가요(Pop띠ar songs) 음반(Record) 유행가(Y빼aengga) 신민요(Sinnù nyo)