동국대 박물관 소장 <신중도>(1813) 고찰

• 영문명: A Study on the Dongguk University Museum's Guardian Deities Painting (1813)
• 발행기관: 동국대학교 박물관
• 저자명: 김현중(Kim Hyeon Jung)(玄周)
• 간행물 정보: 『佛敎美術』第27號, 31~55쪽, 전체 25쪽
• 주제분류: 예술체육 > 미술
• 파일형태: PDF
• 발행일자: 2016.01.30

영문 초록

Painting of Guardian Deities (1813) housed in Dongguk University Museum can be characterized by line drawing elements, a fur chair motif placed behind Indra, and an unusual shape of Skanda's headgear. It is especially a creative work of art among the 19th century paintings of guardian deities. Unfortunately, however, its place of enshrinement is unknown since an inscription on the painting is partially damaged. This paper analyzes iconographic influences among the 18th and 19th centuries paintings of guardian deities in order to locate its place of enshrinement and as a result, has found out that the iconographies of Indra and guardian deities originated from the Guardian Deities painting (1766) in Chilseong-am of Bulhoe-sa temple. Further, this paper focuses on the term 'bisu' which is written on the inscription and demonstrates that it is related to Jeolla Province. Thus, following the above mentioned evidences, this paper suggests Nam-am of Cheonhwang-sa temple in Jeonbuk Province as the painting's place of enshrinement. Motifs such as line drawn clouds or fur chair well demonstrate the characteristics of the painting which occupy a special place among the paintings of guardian deities in later Joseon Dynasty. Further, it is considered as an important work among the 19th century paintings of guardian deities in Jeolla province that has excluded traditional iconography succeeded by Bihyeon school by introducing new iconography of heavenly deities.

목차

Ⅰ. 머리말

Ⅱ. 화면구성과 표현기법

Ⅲ. 동국대 박물관 소장 <신중도>(1813)의 특징

Ⅳ. 봉안처 추정

Ⅴ. 맺음말

참고문헌

Abstract